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Category Archives: African American Books

Here you will find book reviews and commentary on books by African Americans

Chimamanda Ngozi Adichie: Writer Focuses On Nigeria’s Present For Latest Novel

 

by Associated Press

chimamanda new novel

LAGOS, Nigeria — The traffic is there, grinding life to a halt as the middle class pound out messages on BlackBerry mobile phones and worry about Facebook. The heat, the sweat, and the daily tragedy of unclaimed bodies lying alongside roadways, passers-by hurrying past for fear of someone else’s misfortune becoming entangled in their own.

This is modern life in Nigeria’s largest city, Lagos, which becomes almost a character americanahof its own in novelist Chimamanda Ngozi Adichie’s(pictured) new book, “Americanah” (pictured at right). And within its pages, one catches self-acknowledged glimpses of the writer herself, who shot to fame with her previous love story set during Nigeria’s civil war called “Half of a Yellow Sun.”

As that book is being made into a movie, more international attention will focus on Adichie, part of a raft of new Nigerian writers finding acclaim after years of military-induced slumber in a nation with a rich literary history. Yet Adichie, like her new book’s heroine, finds herself straddled between a life in the United States and one in Nigeria, where even seemingly innocuous comments on hair care and wigs can stir resentment.

“I’m writing about where I care about and I deeply, deeply care about Nigeria,” Adichie told the Associated Press. “Nigeria is the country that most infuriates me and it is the country I love the most. I think when you’re emotionally invested in a place as a storyteller, it becomes organic.”

That sense of place runs throughout “Americanah,” — make sure to stress the fourth syllable, says the daughter of a university professor and a university registrar. It’s a term people use to describe the accents carried by some of the Nigerians now returning in droves to the country after it embraced an uneasy democracy after years of military rule. While oil and gas money continues to flow and other business opportunities abound, the nation’s universities now sit in shambles, graduating more unqualified students than can be offered jobs.

That intellectual dulling has been challenged by a host of new writers, many of whom like Adichie live almost double lives abroad.

“She is part of the pack of novelists who have, after what you might call the two decades of silence, who have helped to tell Nigerian stories to the whole world again,” writer Tolu Ogunlesi said. “It was the dictatorships and all that’s associated with them. … The ’80s and ’90s were dark ages of sorts for Nigeria.”

It’s that period where “Americanah” finds its beginning. Though dismissing the idea of being a “dutiful daughter of literary conventions,” Adichie’s new novel takes root in the vagaries and murmured promises of a love story like much of her other work. It also focuses largely on the slim percentage of Nigerians able to afford diesel generators in a country largely without electricity and who look at the poor through the chilled air and tinted-glass windows of luxury SUVs.

Despite that, her writing hits a nerve with Nigerian readers who identify with the descriptions of church worship services focused on getting foreign visas and the nervous wives of rich men in a nation notorious for philandering. Adichie describes herself as looking “at the world through Nigerian eyes,” but she doesn’t hold back on criticizing its culture that fosters widespread government corruption. Or what she perceives as the excessive, neutered politeness of “political-correct language” in the United States.

“Nigeria wasn’t set up to succeed, but the extent of its failure is ours. It’s our responsibility,” she said. “This country is full of so many intelligent people, so much energy, so much potential, so why are we here?”

That kind of truth telling isn’t exactly welcome, even in a democratic Nigeria. Speaking Saturday night at a book signing, Adichie drew laughter and a few nervous looks from organizers by describing President Goodluck Jonathan as “not a bad guy, he just seems like he’s floundering and has no clue.”

It also leads to comparisons some make between Adichie and late author Chinua Achebewho died in March at age 82. Both come from the Igbo people of Nigeria’s southeast and Achebe’s own praise of Adichie graces the cover of her new novel in Nigeria. Adichie said the rise of new writers served as a testament to the power of Achebe’s writings and the works of others.

“I think there’s just this wonderful flowering that’s happening,” she said.

Even more controversial, it seems, have been Adichie’s comments on natural hair in Nigeria, where many spend huge sums of money on straight-banged wigs and weaves known as Indian hair. An online commenter on Twitter asserted that Adichie, whose natural hair sits in buns atop her head, said that those wearing weaves were insecure, sparking controversy. Adichie herself ended up responding to the criticism and gave a recent audience advice on finding hair conditioners with no sulfates.

“It’s only Black women for whom an entire industry exists, which is geared toward specifically making sure that the hair that grows on their head looks different,” she said. “I want natural black hair to be an equally valid option, not something interesting, not something you do when you’re a jazz musician, but something you can do when you’re a lawyer in a fancy firm in New York City or if you’re a politician in Abuja,” Nigeria’s capital.

That, however, still remains a challenge. Adichie acknowledged it herself by pausing, and then adding: “My mother doesn’t like my hair like that. She is still praying.”

 

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African-American Literature Web Sites Launch “Power List” of Best-Selling Books

 

Power-List-Spring-2013

Three leading African-American literature web sites announced the launch of the Power List, a quarterly compilation of best-selling books written or read by African Americans.  The Power List is a joint project of AALBC.com, Cushcity.com and Mosaicbooks.com, three Web sites which have promoted African-American literature for more than a decade.

The founders of these companies believe there is a need for a comprehensive list of best-selling African-American books.  “Currently, the data is dispersed over a wide variety of sources,” said Gwen Richardson, co-founder of Cushcity.com.  “We wanted to compile and analyze the data across the board and present those findings to the public.”

Besides collecting data from online book sellers and random samples on relevant Facebook pages, the Power List has a unique feature:  Its findings include a quarterly survey of 1,200 African-American book clubs.  “African-American book clubs are well-established in urban communities across America,” said Troy Johnson, founder of AALBC.com. “The survey results tell us not only which Black authors are gaining traction among Black readers, but they also let us know which non-Black authors have garnered their attention.”

The Spring 2013 list is divided into separate categories:  Hardcover fiction, hardcover non-fiction, paperback fiction and paperback nonfiction.  Best-selling ebooks and classics will be added in future editions.  The list will be released on the fourth Monday in the month following each calendar quarter.

Notable information about the Spring 2013 list:

  • Urban fiction author duo Ashley & Jaquavis have a total of four books among the top ten paperback fiction best sellers
  • Author Sister Souljah has titles on both the paperback and hardcover fiction lists
  • Best-selling author E. L. James’ Fifty Shades of Gray was a top seller among African-American readers
  • Two titles by politically-conservative African Americans were among the best-selling titles in paperback non-fiction books

“Our ultimate mission is three-fold,” said Ron Kavanaugh, founder of Mosaicbooks.com.  “To promote African-American literature; to assess the reading habits of African Americans; and to report those findings to the public.”

The Spring 2013 lists may be viewed at the Power List web site:  www.powerlist.info.  Updates will be included on the Power List Facebook and Twitter pages.  For more information, contact one of the individuals listed above.

And here are the titles for our first list, Spring 2013. The list is also available online: http://aalbc.it/plbooks

Again we request that any publication printing the list attribute the list as shown below.  Attached is a high resolution image for the Spring 2013 list.

Spring 2013 – Paperback – Fiction

#1 - Friends & Foes by ReShonda Tate Billingsley, Victoria Christopher Murray

#2 - The Cartel 4 by Ashley & Jaquavis

#3 - The Cartel 3 by Ashley & Jaquavis

#4 - The Cartel 2 by Ashley & Jaquavis

#5 - Animal by K’Wan

#6 - Murderville 2 by Ashley & Jaquavis

#7 - Midnight: A Gangster Love Story  by Sister Souljah

#8 - The Hot Box by Zane

#9 - Fifty Shades of Gray by E. L. James

#10 - Payback Ain’t Enough by Wahida Clark

 

Spring 2013 – Paperback – Non-Fiction

#1 - Act Like a Lady, Think Like a Man by Steve Harvey

#2 - America the Beautiful: Rediscovering What Made This Nation Great by Ben Carson

#3 - The Immortal Life of Henrietta Lacks by Rebecca Skloot

#4 - The New Jim Crow: Mass Incarceration in the Age of Colorblindness  by Michelle Alexander

#5 - The Warmth of Other Suns: The Epic Story of America’s Great Migration  by Isabel Wilkerson

#6 - Better Than Good Hair: The Curly Girl Guide to Healthy, Gorgeous Natural Hair!  by Nikki Walton

#7 - The Other Wes Moore: One Name, Two Fates by Wes Moore

#8 - Blacklash: How Obama and the Liberal Left Are Driving Americans to the Government Plantation by Deneen Borelli

#9 - Vegan Soul Kitchen: Fresh, Healthy, and Creative African-American Cuisine by Bryant Terry

#10 - Where Did Our Love Go: Love and Relationships in the African-American Community by Gil L. Robertson IV

 

Spring 2013 – Hardcover – Fiction

#1 - The Man In 3B by Carl Weber

#2 - The Twelve Tribes of Hattie by Ayana Mathis

#3 - If I Can’t Have You by Mary B. Morrison

#4 - The Perfect Marriage by Kimberla Lawson Roby

#5 - A Deeper Love Inside: The Porsche Santiaga Story  by Sister Souljah

#6 - The Reverend’s Wife by Kimberla Lawson Roby

#7 - God Don’t Make No Mistakes by Mary Monroe

#8 - An Accidental Affair by Eric Jerome Dickey

#9 - The Supremes at Earl’s All-You-Can-Eat  by Edward Kelsey Moore

#10 - Maintenance Man II: Money, Politics & Sex: Everyone Has A Price  by Michael Baisden

 

Spring 2013 – Hardcover – Non-Fiction

#1 - Manology: Secrets of Your Man’s Mind Revealed by Tyrese Gibson

#2 - Remembering Whitney: My Story of Love, Loss, and the Night the Music Stopped  by Cissy Houston

#3 - Mom & Me and Mom by Maya Angelou

#4 - The Wealth Choice: Success Secrets of Black Millionaires  by Dennis Kimbro

#5 - The Rebellious Life of Mrs. Rosa Parks by Jeanne Theoharis

#6 - Living and Dying in Brick City: An E.R. Doctor Returns Home  by Sampson Davis

#7 - It Worked for Me: In Life and Leadership by Colin Powell

#8 - Black Against Empire: The History and Politics of the Black Panther Party by Joshua Bloom

#9 - One Day It’ll All Make Sense by Common

#10 - Shred: The Revolutionary Diet: 6 Weeks 4 Inches 2 Sizes by Ian K. Smith

 
 

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Book Review: The Mother of Us All: A History of Queen Nanny

The Mother of Us All: A History of Queen Nanny, Leader of the Windward Jamaican Maroons-2

About the book

Queen Nanny was the leader of the Eastern or Windward Maroons of Jamaica, escaped slaves who established towns in remote parts of the island and defeated attacking armies from the British Empire from 1655 to 1739. In this exciting book, Karla Gottlieb analyzes the importance of Queen Nanny from cultural, military, historical and religious perspectives.  This book marks an attempt to integrate a key figure of New World history into her rightful place as the leader of a critical resistance movement in Jamaica in the first part of the 18th century.  The exploration of Nanny’s critical importance opens a space for heroines in this hemisphere’s military history. An ideal educational tool, this book adds the element of resistance to the teaching of the history of slavery in the Americas.  The text explores both the mythical and the factual histories of Queen Nanny, and offers a view into the Jamaican Maroon’s narration of their own unique history.

Reviews:

This is a small book, 119 pages, that cuts a big swath. It is about an interesting period and a lively woman of the early 18th Century, someone who never made it into any of my history books. I certainly know about her now. Gottlieb pulls together threads from many sources into one rich fabric. This is a progressive book about colonialism, racism, feminism, about military strategy, about the West-African-rooted religious traditions and the use of supernatural powers that made their way into the Maroon Culture. Gottlieb obviously has great respect for her subject — this remarkable woman, Nanny, part historical figure, part legend — who represents a courageous struggle against oppression. The book is well-researched, illustrated, and spirited reading. Some of the historical documents can be bypassed if not interested. One is impressed with its relevance to the very same “isms” that continue to torment us in the 21st century. -  By Robert E Young
This is an exceptional book on the history of Queen Nanny. This book provides a great account of Queen Nanny in Jamaica from the perspective of the Maroons, Jamaicans, and British. There are plenty of historical references sprinkled throughout the literature so that the reader can do their own research. I have a sense that she was the original “Wonder Woman” as she lived on a true “Paradise Island” and could not just stop bullets but also “catch” them. The book goes into detail about the metaphysical importance of an Obeah woman and how her power kept the strong African spirit alive within the Jamaican Maroons. It is empowering to read how such few people were able to defeat the British in so many battles. The book is brief but packed with informative information on this little known person. As a man descended from the Akan, I felt proud how the African rituals were continued in Jamaica for those that escaped human bondage. This is a great read for both men and women. – By A. AnsiI

About the author:
Karla Gottlieb is the author of The Mother of Us All: A History of Queen Nanny of the Jamaican Maroons. Gottlieb is a passionate student of Maroon history, and this book is a culmination of Gottlieb’s research on Queen Nanny and the Maroons through historical documents, trips to Jamaica, interviews with Maroon leaders, and a thorough review of published material about the Maroons. She continues to speak widely about the story of Jamaican slave resisters locally and internationally. She is currently working on a screenplay based on The Mother of Us All, and has a contract for its production as a film. She is also the co-editor of A Practical Guide for Integrating Civic Responsibility into the Curriculum, and has written three as yet unpublished novels. She lives in Miami, FL and is the Director of Community Partnerships at Dream in Green, an agency whose mission is to develop and implement programs that promote energy conservation and efficiency, environmental sustainability, and the use of renewable energy. Educated at Yale and San Francisco State Universities, she is active in Miami’s nonprofit community, and is serving a three-year term as a Yale Delegate for South Florida. She sits on several local boards, including HOPE Fair Housing, the Partnership for Philanthropic Planning, uAspire, and Accion, an organization that supports microenterprises. She can be contacted on facebook or at karlabe@hotmail.com.

Where to buy the book
The Mother of Us All: A History of Queen Nanny, Leader of the Windward Jamaican Maroons can be bought on Amazon.com and most major bookstores.

 

Read more: http://www.jamaicans.com/articles/bookreviews/book-review-the-mother-of-us-all-a-history-of-quee.shtml#ixzz2Pt2oSFaH

 

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Book Review: The Man Who Turned Both Cheeks

The Man Who Turned Both Cheeks-2

Picturesque and impoverished Largo Bay is the background for this explosive novel about love and fear, the second in Gillian Royes’s mystery series featuring Shad, a Jamaican bartender-detective. With the arrival of Joseph, estranged son of Eric, the bar’s owner, hopes for the village’s future come alive but are soon to be threatened. Janna, who has returned to the island, falls for Joseph’s good looks and charm, but she isn’t the only one with an eye for this mysterious man.

As questions about Joseph’s sexuality arise, Shad struggles with protecting the survival of his beloved birthplace amid the deeply ingrained culture of intolerance that surrounds him. What it means to be a man and a father raises questions within the bartender’s own home, as his longtime love, Beth, pressures him to make a commitment.

In a land where religion is strong, but life is cheap and violence is often the answer, what will it take for Shad to protect Eric and his family? In this truth-telling sequel to The Goat Woman of Largo Bay, the village must confront its own darkness or lose a bright future.

Reviews:

“Royes’s strong sequel to her fiction debut, 2011’s The Goat Woman of Largo Bay, deepens the character of Shad Meyers . . . . in this sensitive, thought-provoking novel.” – Publishers Weekly

“Royes is brilliant in bringing Jamaican sun and sea, people and places to life.” — Kirkus Review

“Royes’ Jamaica is lush, stormy and stronger than the rum punch cocktails that Shad pours over ice.” — Associated Press

About the Author:
Gillian Royes was born in Kingston, Jamaica. She attended Colorado College and later went on to the University of Wisconsin and Emory University, where she earned a doctorate in American Studies. Royes is the author of The Goat Woman of Largo Bay, Business Is Good, and Sexcess: The New Gender Rules at Work. She lives in the U.S. Virgin Islands.

Gillian Royes

Buy the book - The Man Who Turned Both Cheeks:

 

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Sonia Sotomayor’s Dollar-an-Hour Job Stops Boredom

By Sonia Sotomayor

WeNews guest author

She was the first Latina appointed to the U.S. Supreme Court. In this excerpt from her book, “My Beloved World,” Sonia Sotomayor recounts her first job and growing up in the housing projects in the Bronx.

 
U.S. Supreme Court Justice Sonia Sotomayor
U.S. Supreme Court Justice Sonia Sotomayor

Credit: Commonwealth Club on Flickr, under Creative Commons (CC BY 2.0).

 

NEW YORK (WOMENSENEWS)–The summer vacation between freshman and sophomore years, I was working my way through the summer reading list when “Lord of the Flies” brought me to a halt.

I wasn’t ready to start another book when I finished that one. I’d never read anything so layered with meaning; it haunted me and I needed to think about it some more. But I didn’t want to spend the whole break doing nothing but reading and watching TV.

Junior was happy shooting baskets all the daylight hours, but there wasn’t much else going on around the projects if you were too old for the playground and not into drugs. Orchard Beach still beckoned, roasting traffic and all, but getting there was a trek you couldn’t make every day. Besides, without Abuelita’s laugh and the anticipation of her overgenerous picnic in the trunk, without Gallego gunning the engine of a car packed with squirming kids, somehow it just wasn’t the same.

My Beloved World by Sonia Sotomayor

So I decided to get a job. Mami and Titi Carmen were sitting in Abuelita’s kitchen over coffee when I announced my plan. There were no shops or businesses in the projects, but maybe I could find someone to hire me in Abuelita’s old neighborhood. Titi Carmen still lived at Southern Boulevard and worked nearby at United Bargains. The mom-and-pop stores under the El wouldn’t hire kids–leaning on family labor rather than paying a stranger–but the bigger retailers along Southern Boulevard might. I proposed to walk down the street and inquire in each one.

“Don’t do that,” said Titi Carmen. “Let me ask Angie.” Angie was Titi Carmen’s boss.

My mother meanwhile looked stricken and bit her lip. She didn’t say anything until Titi had gone home. Then, for the first time, she told me a little bit about her own childhood: about sewing and ironing handkerchiefs for Titi Aurora since before she could remember, for hours every day. “I resented it, Sonia. I don’t want you to grow up feeling like I did.” She went on to apologize for being unable to buy us more things but still insisted it would be even worse if I blamed her one day for depriving me of a childhood.

I didn’t see that coming. Nobody was forcing me to work. Sure, a little pocket money would be nice, but that wasn’t the main motivation. “Mami, I want to work,” I told her. She’d worked too hard all her life to appreciate that leisure could mean boredom, but that’s what I knew I’d be facing if I sat home all summer. I promised never to blame her. In that moment, I began to understand how hard my mother’s life had been.

Titi Carmen reported back that Angie was willing to hire me for a dollar an hour. That was less than minimum wage, but since I wasn’t old enough to work legally anyway, they would just pay me off the books. I would take the bus, meet Titi Carmen at her place and then we’d walk over to United Bargains together. That became our routine. It wasn’t a neighborhood where you walked alone.

United Bargains sold women’s clothing. I pitched in wherever needed: restocking, tidying up, monitoring the dressing rooms. I was supposed to watch for the telltale signs of a shoplifter trying to disappear behind the racks, rolling up merchandise to stuff in a purse.

Junkies were especially suspect. They were easy to spot by the shadow in their eyes, though the tracks on their arms were hidden under long sleeves even in summer. There was never an argument, never a scene. Once in a while I had to say, “Take it out.” Most of the time I didn’t need to utter a word. She would pull the garment out of her bag, put it back on the hanger, or maybe hand it to me, our eyes never meeting as she slinked out.

We always let them go. There wasn’t much choice: in a precinct that had come to be known as Fort Apache, the Wild West, the cops had their hands full dealing with the gangs. Besides, the management understood that the shame and pity were punishment enough, and I naturally agreed. I abhorred feeling pitied, that degrading secondhand sadness I would always associate with my family’s reaction to the news I had diabetes. To pity someone else feels no better. When someone’s dignity shatters in front of you, it leaves a hole that any feeling heart naturally wants to fill, if only with its own sadness.

On Saturday nights the store was open late, and it was dark by the time we rolled down the gates. Two patrol officers would meet us at the door and escort us home. I don’t know how this was arranged, whether it was true that one of the saleswomen was sleeping with one of these cops, but I was glad of it anyway. As we walked, we could see the SWAT team on the roofs all along Southern Boulevard, their silhouettes bulging with body armor, assault rifles bristling. One by one the shops would darken, and we could hear the clatter of the graffiti-covered gates being rolled down, trucks driving off, until we were the only ones walking. Even the prostitutes had vanished. You might trip on tourniquets and empty glassine packets when you got into the courtyard area at Titi Carmen’s, but you wouldn’t run into any neighbors. I would spend the night there, talking the night away with Miriam. I wished Nelson were there too, but he was never home anymore.

I remember falling asleep thinking again about “Lord of the Flies.” It was as if the fly-crusted sow’s head on a stick were planted in a crack of the sidewalk on Southern Boulevard. The junkies haunting the alley were little boys smeared with war paint, abandoned on a hostile island and the eyes of the hunters cruising slowly down the street glowed with primitive appetites. The cops in their armor were only a fiercer tribe. Where was the conch?

The next morning, in daylight, Southern Boulevard was less threatening. The street vendors were out, shop fronts were open, people were coming and going. On the way home I stopped at a makeshift fruit cart to buy a banana for a snack. I was standing there peeling my purchase when a police car rolled up to the curb. The cop got out and pointed here and there to what he wanted–there was a language barrier–and the vendor loaded two large shopping bags with fruit. The cop made as if to reach for his wallet, but it was only a gesture, and the vendor waved it off. When the cop drove away, I asked the man why he didn’t take the money.

“Es el precio de hacer negocios. If I don’t give the fruit, I can’t sell the fruit.”

My heart sank. I told him I was sorry it was like that.

“We all have to make a living,” he said with a shrug. He looked more ashamed than aggrieved.

Why was I so upset? Without cops our neighborhood would be even more of a war zone than it was. They worked hard at a dangerous job with little thanks from the people they protected. We needed them. Was I angry because I held the police to a higher standard, the same way I did Father Dolan and the nuns? There was something more to it, beyond the betrayal of trust, beyond the corruption of someone whose uniform is a symbol of the civic order.

How do things break down? In “Lord of the Flies,” the more mature of those lost boys start off with every intention of building a moral, functional society on their island, drawing on what they remember–looking after the “littluns,” building the shelters, keeping the signal fire burning. Their little community gradually breaks down all the same, battered by those who are more self-indulgent, those who are driven by ego and fear.

Which side was the cop on?

The boys need rules, law, order, to keep their worst instincts in check. The conch they blow to call a meeting or hold for the right to speak stands for order, but it holds no power in itself. Its only power is what they agree to honor. It is a beautiful thing, but fragile.

When I was much younger, on summer days I would sometimes go along with Titi Aurora to the place where she worked as a seamstress. Those must have been days when Mami was working the day shift and, for some reason, I couldn’t go to Abuelita’s. That room with the sewing machines whirring was a vision of hell to me: steaming hot, dark, and airless with the windows painted black and the door shut tight.

I was too young to be useful, but I tried to help anyway, to pass the time. Titi Aurora would give me a box of zippers to untangle, or I’d stack up hangers, sort scraps by color or fetch things for the women sewing. All day long I’d keep an eye out for anyone heading toward the door. As soon as it opened, I’d race over and stick my head out for a breath of air, until Titi saw me and shooed me back in. I asked her why they didn’t just keep the door open. “They just can’t,” she would say.

Behind the closed door and the blackened windows, all those women were breaking the law. But they weren’t criminals. They were just women toiling long hours under miserable conditions to support their families. They were doing what they had to do to survive. It was my first inkling of what a tough life Titi Aurora had had. Titi never got the schooling that Mami got, and she’d borne the brunt of the father Mami was spared from knowing. Her married life would have many challenges and few rewards. Work was the only way she knew to keep going, and she never missed a day. And though Titi was also the most honest person I knew–if she found a dime in a pay phone, she’d dial the operator to ask where she should mail it–she broke the law every day she went to work.

One evening at United Bargains, the women were making crank calls, dialing random numbers out of the phone book. If a woman’s voice answered, they acted as if they were having an affair with her husband, then howled with laughter at their poor gull’s response. Titi Carmen would join in, taking her turn on the phone and laughing as long and hard as any of them. I couldn’t understand how anyone could be so cruel–so arbitrarily, pointlessly cruel. What was the pleasure in it? Walking home, I asked her,

“Titi, can’t you imagine the pain you’re causing in that house?”

“It was just a joke, Sonia. Nobody meant any harm.”

How could she not imagine? How could the cop not imagine what two large shopping bags full of fruit might measure in a poor vendor’s life, maybe a whole day’s earnings? Was it so hard to see himself in the other man’s shoes?

I was 15 years old when I understood how it is that things break down: people can’t imagine someone else’s point of view.

Three days before Christmas and midway through my freshman year at Cardinal Spellman High School, we moved to a new apartment in Co-op City. Once again, my mother had led us to what seemed like the edge of nowhere. Co-op City was swampland, home to nothing but a desolate amusement park called Freedomland, until the cement mixers and dump trucks arrived barely a year before we did.

We moved into one of the first of 30 buildings planned for a development designed to house 55,000. To get home from school, I had to hike a mile–down Baychester Avenue, across the freeway overpass and through the vast construction site of half-built towers and bare, bulldozed mud–before reaching human habitation. An icy wind that could lift you off your feet blew from the Hutchinson River. Flurries of snow blurred the construction cranes against an opaque sky of what seemed like Siberia in the Bronx.

At least now we lived close enough for me to walk to school, and I was glad of that. The hour-long trek by bus and train from Watson Avenue had been tedious. Poor Junior, who was only in sixth grade when we moved, would make the commute in reverse from Co-op City to Blessed Sacrament for another two and a half years. No one we knew had ever heard of Co-op City. My mother learned about it from some newspaper article on the city’s plans for building affordable housing. The cost of living there was pegged to income, and at the same time you were buying inexpensive shares in a cooperative, so in theory there was a tax break.

My mother was eager to get us into a safer place because the Bronxdale projects were headed downhill fast. Gangs were carving up the territory and each other, adding the threat of gratuitous violence to the scourges of drugs and poverty. A plague of arson was spreading through the surrounding neighborhoods as landlords of crumbling buildings chased insurance. Home was starting to look like a war zone.

It was Dr. Fisher who made the move possible. When he died, he left my mother $5,000 in his will, the final and least expected of the countless kindnesses that we could never repay, although we tried. When Dr. Fisher was hospitalized after his wife died, Abuelita made Gallego stop on the way to work every morning to pick up Dr. Fisher’s laundry and deliver clean pajamas to him.

Yes, Co-op City was the end of the earth, but once I saw the apartment, it made sense. It had parquet floors and a big window in the living room with a long view. All the rooms were twice the size of those cubbyholes in the projects, and the kitchen was big enough to sit and eat in. Best of all, my mother’s friend Willy, a musician who did handiwork too, was able to partition the master bedroom into two little chambers, each big enough for a twin bed and a tiny bureau, so Junior and I could finally have separate rooms. Each had its own door and Willy even let us each choose our own wallpaper. Junior chose something neutral, in a restrained shade of beige. Mine had constellations, planets and signs of the zodiac in an antique style, as if a Renaissance cartographer had drawn a map for space travel.

I was reading a lot of science fiction and fantasizing about travel to other worlds or slipping through a time warp. It had been only the summer before, in July 1969, that two astronauts had walked on the moon, and I was awestruck that it had happened in my own lifetime, especially when I remembered how Papi had predicted this.

From the earth’s leaders, Neil Armstrong and Buzz Aldrin carried messages etched in microscopically tiny print on a silicon disk, messages that could fit on the head of a pin, to be deposited on the surface of the moon. Pope Paul’s was from Psalm 8: “I look up at your heavens, made by your fingers, at the moon and stars you set in place. Ah, what is man that you should spare a thought for him? Or the son of man that you should care for him? You have made him a little less than an angel, you have crowned him with glory and splendor, and you have made him lord over the work of your hand.”

Excerpted from “My Beloved World” by Sonia Sotomayor. Copyright 2013 by Sonia Sotomayor. Excerpted by permission of Knopf, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Sonia Sotomayor graduated summa cum laude from Princeton in 1976 and from Yale Law School in 1979. She worked as an assistant district attorney in New York and then at the law firm of Pavia and Harcourt. From 1992 to 1998, she served as a judge of the U.S. District Court, Southern District of New York, and from 1998 to 2009 on the United States Court of Appeals for the Second Circuit. In May 2009, President Barack Obamanominated her as an Associate Justice of the Supreme Court; she assumed this role on Aug. 8, 2009.

 
 

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‘The Warmth of Other Suns’ chosen for city book program

One Book, One Chicago“The Warmth of Other Suns: The Epic Story of America’s Great Migration,” by Isabel Wilkerson, right, is the Chicago Public Library’s latest selection for “One Book, One Chicago.” (Handout/Chicago Tribune)

The Chicago Public Library’s latest selection for “One Book, One Chicago” charts the history of African-Americans who moved to Chicago and other cities after leaving their homes in the Jim Crow South.

“The Warmth of Other Suns: The Epic Story of America’s Great Migration,” by Isabel Wilkerson, follows the lives of two men and a woman who represent the 6 million who moved north in the decades between World War I and the 1970s, many of whom settled on Chicago’s South Side.

“Isabel Wilkerson’s book brings to life the stories of African-Americans who left their homes in the South in search of a better life,” Mayor Rahm Emanuel said in a news release. “These are the stories of people who helped create the Chicago we know today — and of people continuing to come to our city each day in hopes of finding their dream.”

Wilkerson is scheduled to appear at the Harold Washington Library Center in October to read from her book. It is the 24th chosen for the citywide reading program, which began in 2001 with Harper Lee’s “To Kill a Mockingbird.”

— Matthew Walberg

 
 

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In Conversation: Nikki Giovanni and Maya Angelou on Sisterhood, and Their Friendship with Toni Morrison

By Aisha I. Jefferson

PHOTO CREDIT: JIM STROUP/ VIRGINIA TECH

“It is sheer good fortune to miss somebody long before they leave you.” Toni Morrison, who celebrates her 82nd birthday today (Feb 18), wrote that immortal phrase 40 years ago about her sons Ford and Slade as part of the dedication of her acclaimed second novelSula. The same words came back eight novels, a Pulitzer Prize, a Nobel Prize and a Presidential Medal of Freedom later to wrap their arms around her in loving celebration of the legacy she’s since built.

That was exactly the purpose of “Sheer Good Fortune,” a two-day commemoration of Morrison’s body of work that took place at Virginia Tech. The event was created by her longtime friends and fellow literary powerhouses Nikki Giovanni and Maya Angelou’s desire to “throw a lot of love around Toni” following the December 2010 death of her son Slade, who co-authored children’s books with her.

The historic gathering was a Who’s Who of the literary world — Angela Davis, Sonia Sanchez, Rita Dove, Edwidge Danticat, Kwame Alexander, Joanne V. Gabbin, Eugene Redmond, and many more came to mingle, laugh and reminisce with each other and the guest of honor.

Giovanni, 69, and Angelou, 84, joined these notables onstage for the event, reading from various Morrison works like SulaThe Bluest Eye,Song of SolomonBelovedTar BabyHome and her play,Desdemona. Grammy Award-winner India.Arie also paid homage with a song she wrote at 19 after reading The Bluest Eye.

Morrison glowed, blown away by the living tribute and enjoying one of the rare times she and Angelou have shared the stage publicly. But, she says, the sisterly gesture that her girlfriends demonstrated shouldn’t come as a surprise. Black women are, after all, the original girlfriends. “Black women have always been friends. I mean, if you didn’t have each other you had nothing,” Morrison says, referring to the close bond that Black women shared historically.

Giovanni and Angelou sat down with ESSENCE.com, sharing their thoughts on their friendship, the current state of Black women, whether we live in a post-racial society and Angelou’s contributions to the civil rights movement.

ESSENCE.com: The three of you have been friends for more than 40 years. How did you meet?
MAYA ANGELOU:  Well, Nikki had been at Fisk and had been a student of John Killens, who started the Harlem Writers Guild. I had met John in California and he said come east and join the Harlem Writers Guild. So I came to New York and met Nikki and a group of would-be writers, actors, musicians and artists. We were a group and we belonged together. We all taught each other and learned from each other. It was the 50s and 60s.

I met Toni in that time frame. It was so that you could not help but meet each other. Her book Sula, which remains my favorite, came out a couple of years after my book [I Know Why the Caged Bird Sings], and I sent a note about Sula to her saying, “This is one of the most important books I’ve ever read.” I remember Toni and I were in Wales together at some book fest at Hay-on-Wye. We were together and her mother was ill and my mother was too. And we were just two Black ladies who were missing our mothers. We spent time together and respected each other and supported each other.

NIKKI GIOVANNI: I met Toni right after The Bluest Eye came out. We were all living in New York and she was working at Random House as an editor. I just read The Bluest Eye and it just blew me away. I just wanted to meet the person who had written it. So I called her and we had lunch and became friends. Back then there were just very few Black people in publishing. ESSENCE didn’t even exist during that period. We all knew each other and we were all very supportive.

ESSENCE.com: And voilà, here you are 40 years later. Now, Dr. Giovanni, you keep in touch with both women more than they may keep in contact with one another. Are you the glue that keeps everyone together?
GIOVANNI: I’m younger and am actually just shy of being daughter age to both. I have a lot of flexibility to go around and be a fan. And I’m a fan of both. When I heard Toni was having a play like she did withDesdemona, I was prepared to go to Berlin. I get to see people more than people get to see each other.

Nikki Giovanni Toni Morrison and Maya Angelou 400

 
ESSENCE.com: There’s a lot to be said about the current state of Black women today. What do you think are our greatest victories and biggest challenges?
GIOVANNI: I think the challenge for women period is still to be ourselves. And I think that’s a decision that we should make. I don’t think other people should tell us what makes a woman. The only thing that Arnold Schwarzenegger ever said that made sense to me was that every child should know how to swim. For example, being a Black woman at my age, none of us can swim. The boys learned to swim because they could go to the creek or they could go to the river. Well, we couldn’t do that, we couldn’t go jump in there. We had issues of not having swimming pools because it was an era of segregation and we had issues of our hair. And we couldn’t afford to let our hair go back. Well, that’s ridiculous that you’re being controlled [in that way about your hair]. I think women have to make a decision, each of us, in our own way and for ourselves, who it is we are.

ANGELOU: The great challenges remain. They have not been lessened by what we’ve achieved. We continue to lift ourselves up and lift each other up but we have not achieved any level of acceptance that has kept us above the survival level.

ESSENCE.com: Do you think we will ever get above that level?
ANGELOU: Of course we will! We are better than we were. But not by being careless and not by being forgiving and thinking we have nothing left to do. The struggle continues unabated. We have more women trying to be better, trying to be present than we ever have. We have more women trying to support other women. I think we’re better off than we were but this doesn’t mean we’re finished and cool and everything’s okay. Black women are heads of universities and colleges and senators and congresswomen and we’re still pushing and stretching ourselves and trying to support ourselves. I think we are doing so much better than we think we’re doing. And it’s not nearly enough, but it’s something. And we have to say that. You see if you don’t say that you make young people think, “Well, damn, with the lives and deaths of Martin Luther King, Fannie Lou Hamer, Malcolm X and Medgar Evers, we haven’t gotten any further?” That would be ridiculous! Then young people would say, “Well, damn, if that’s so, and those people are larger than life, then why should I even try?” So you can’t do that.  You have to say we’ve made some outrageous and incredible strides. Not nearly enough, but we’ve made some.

ESSENCE.com: The term “post-racial” became popularized during President Obama’s first White House bid, with some believing his election signified an end to racism. Do you believe we will ever become a post-racial society where race no longer is a factor?
GIOVANNI: I don’t see the point of being post-racial. I see the point of being non-racist. And the answer to that is yes. If you didn’t have essentially the politicians driving that race bus we might have gotten beyond it by now. And even with Barack Obama, obviously he couldn’t be President of the United States unless a lot of white people voted for him. But in terms of do you think we won’t ever see [each other’s skin tone]… No, we’re going to see each other because we are different. We notice blondes and brunettes. We notice black and white and brown and yellow people. Why should I have to give up the color of my skin or the texture of my hair just so I won’t be discriminated against? You see the difference and I think I have the right to be different. The question is, do you decide that you’re going to be hateful?

ANGELOU: [Laughs] Yes, but a long time from now. And we have to work on it. But it’s certainly not here; it’s not now. It’s racial [now]. However, we have to work at it. I think that President Obama really meant that he thought that in three years he would bring the economy to its feet and to a level standard; however, he didn’t expect to have such opposition. But there are those people when he was voted in, who said no matter what he does, no matter the wisdom of his choice, no matter the decisions he makes, I will not support him. Even though it means a negative for my country, I will not support him. I don’t think President Obama expected that and yet that’s what he’s had: resistance and incredible obstruction. That’s just amazing. So, I think that he expected since we’re all Americans that we’d really be serious about making this country more than what James Baldwin called “these yet to be United States.” But it is not so. And racism is still alive and very unwell. I think we have to press and bring him in and try to do our best to bring him some support from those who will not support him necessarily because he’s Black. There it is.

ESSENCE.com: Dr. Angelou, what is your definition of post-racial society? What does that look like?
ANGELOU: Oh, I can’t imagine — it makes me so happy [to think of what it would be like]. It makes me come all over queer as the cockney says.  Imagine if in our country we had an equal distribution of labor. Imagine in our country if we really had a level playing field for Blacks and Asians, and Spanish-speaking and poor whites? Imagine what on earth would we be like?  Can you imagine how rich, what we would be? It won’t be easy. I don’t expect it to be soon. But I expect it.

ESSENCE.com: This year marks the 50th anniversary of the civil rights movement in Birmingham. Dr. Angelou, you were very close with Dr. Martin Luther King Jr., Malcolm X and so many instrumental players. Please share your experiences with the movement.
ANGELOU: Bayard Rustin was the Southern Leadership Christian Conference Northern Representative, and some people felt that he brought a bad light to the Southern Leadership Christian Conference so he was asked to step down. Dr. King asked if I would step into the role and so I accepted. It was the late 50s or 60s, I think. Dr. King reminded me of my brother because they were the same height and both were so charismatic. I was happy to become the representative — which really meant that I was the fundraiser.

GIOVANNI: Doc, I’m not going to let you get away with that because what you did was incredible. Fundraising wasn’t easy and, of course, Doc was charismatic too. When you look at Doc’s circle, its influence — it’s a little bit more than what role. Because the influence was concentric, it keeps going out and out. We’ve talked about it before, so I don’t flatter Doc. Doc had international influence, so that was important. You weren’t just picked out of a hat.

ANGELOU: I didn’t mean to suggest that, but sometimes we are made to seem more important by the titles. But another fundamental truth is what I did — I raised money and I thumped the drum and I did have some charisma and that was good. And that was true.

GIOVANNI: And you had a great deal to do with how some of the African countries looked at the movement and that support was important because it was a back-and-forth. And of course Black Americans are very close to Ghana.

ANGELOU: And also Cuba was very important at the time. I was very blessed to speak Spanish and to be accepted as a writer in Cuba. That was a good thing.

ESSENCE.com: Dr. Giovanni, what about your involvement?
GIOVANNI: I just did the regular picketing. I was just a foot soldier. I was just a kid. My grandmother volunteered me the first time that I picketed. When you look at my generation — and that’s why invariably I refer to it as a generational thing — I think all of us did our jobs. I’m just a writer and I picketed. I didn’t do anything extraordinary.

ESSENCE.com: You all are very successful women with countless honorary degrees and awards. Is there anything that’s surprised you about the life you’ve led?
ANGELOU: I’m grateful to be alive and to be of use. The producer of a program I had on Oprah’s satellite program, the woman called and said that I had 3 million, almost 4 million friends, on Facebook. That’s a blessing. I’m grateful I’ll be of use. I will not be misused, I will not be abused — I will not stand for that. I don’t [know] any better place to be than to be of use to my people — and all people, because all people are my people.

GIOVANNI: I’ve enjoyed my life and I’m enjoying it. I think I’m a pretty decent writer and I like my production hat when I put it on. What I want to start here at Virginia Tech is a legacy series. And I want to reach out to artists 65 and older who are in a legacy position, as we’ve done with Toni and Maya. I want to reach out so the youngsters who don’t get to know them can begin to see what these people have done. There are so many wonderful people out there. Wouldn’t it be wonderful to have a Sidney Poitier on our campus and have some of the younger men and women who are actors and actresses come in and read a little bit from some of his movies? Wouldn’t that be wonderful?

ESSENCE.com: As I noted, you have lived extraordinary experiences. What makes you happiest at this point in your life?
ANGELOU: Hmm…I’m pleased to see young women and men respecting themselves. I was very pleased, maybe inordinately, to see President Obama and Mrs. Obama dance at the inaugural ceremony. When they danced to the song at least, because so few people have any image of romance in the African-American community; many people seem to think that White people make love and Black people  just have sex. When President Obama and Mrs. Obama danced, the romance was almost tangible between them. It’s so important to see that. We are a romantic people. I wept when I saw them dance because we need to be reminded that we are romantic people. .And young Black men have to be reminded that it’s not given to us for our Black men to leave our women. And Black women have to be reminded that we haven’t come this far by being left by our men, ignored and abused by them, called out of our names by them, and we don’t have to take that.

GIOVANNI: I’m a pretty even-keeled person. I like to travel and I’m enjoying my life. I recommend my 60s. It’s just been wonderful and it’s been a whole other door opened up. People always make you think you’re going to get old. One day, for whatever “old” means because I don’t know what “old” means exactly. If I’m lucky I’ll be 80 or 90, and maybe at that point I’ll slow down or whatever it is that people do. I’m enjoying exploring and I’m enjoying taking chances. And I like to share. I always did. I think it’s important to give back and I’m comfortable in that the air I breathe and the water I ingest, I think I’m giving something back for it.

ESSENCE.com: “Sheer Good Fortune” featured tremendous talents who creatively presented Ms. Morrison’s works, especially the newbies. Are there any young standouts that we should know about?
GIOVANNI: The ESSENCE.com audience knows about one of the best writers in America, and that would be Edwidge Danticat. Oh my, she’s an incredible writer — a beautiful writer and good historian. And I like Martha Southgate, author of Third Girl from the Left and The Fall of Rome.

ANGELOU: Yes, yes, I don’t want to call them out, though, because I’ll leave somebody out and it’s too dangerous. I’m always afraid of things like that and I’ll mention somebody and I’ll leave somebody out and that’s too scary. But the new young writers, there are some who’ll knock your socks off. I’m pleased and grateful.

Happy birthday, Toni Morrison!

 
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Posted by on February 20, 2013 in African American Books

 

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New Book Offers Riveting Look at Man Caught Between Cultures

Delivery by Jonathan R. Miller

‘A BASTARD OF THE DIASPORA’

Delivery by Jonathan R. Miller tells the story of Ambojeem, a biracial Somali man who has spent decades drifting from Western nation to Western nation in search of a sense of belonging. At last, he thinks he has found a proper place to raise his 15-year old daughter in relatively sleepy Minneapolis, Minnesota – but all is not as it appears.

Ambojeem scrapes out his living as a delivery driver, transporting packages, medical waste, and various legal documents throughout the Twin Cities. On a seemingly routine delivery, Ambojeem makes a devastating discovery that sends him plunging into a dark world where black market surgery, kidnappings, and murder are the norm. Along the way, he meets a little girl whose father has plans for one of her vital organs. He feels compelled to help the child, but in doing so he risks falling victim to the father’s ambitions himself.

In Delivery, Miller masterfully balances the characterization, emotion, lyrical style, and serious tone of literary fiction with the captivating plot and pacing of a thriller, blending two genres in a way that he says mirrors the biracial experience. Like his main character, Miller is biracial and says growing up in a two-culture household while “passing” as white has had a tremendous effect on his view of the world and writing style. As an author, Miller often incorporates the themes of race and ethnicity into his works.

“My goal is to explore these and other issues thoughtfully, within context,” says Miller. “Being biracial is a significant facet of Ambojeem’s personality. It informs much of what he does and how he is treated, but it isn’t the sole touchstone of his character or of the book as a whole. It can feel all-consuming at times, but ultimately being biracial is one of many traits that can act as a lens through which we see the world.”

A thought-provoking read from beginning to end, Miller’s Delivery tackles these issues and more:

  •  The immigrant experience in North America

  •  Racism, ethnicity, and biracial identity

  • Fatherhood and the complex bonds between parent and child

  • Cultural aspects of female circumcision

ABOUT

Jonathan R. Miller writes literary fiction thrillers featuring multicultural characters and themes. He attended Stanford University and now lives in San Jose, California with his wife and daughter. Available as an eBook at Amazon.com, Delivery tackles the complex bonds between parent and child, the immigrant experience in the United States, female circumcision, and more.

Delivery
By Jonathan R. Miller

“A BASTARD OF THE DIASPORA”
New Book Offers Riveting Look at Man Caught Between Cultures

Delivery by Jonathan R. Miller tells the story of Ambojeem, a biracial Somali man who has spent decades drifting from Western nation to Western nation in search of a sense of belonging. At last, he thinks he has found a proper place to raise his 15-year old daughter in relatively sleepy Minneapolis, Minnesota – but all is not as it appears.

Ambojeem scrapes out his living as a delivery driver, transporting packages, medical waste, and various legal documents throughout the Twin Cities. On a seemingly routine delivery, Ambojeem makes a devastating discovery that sends him plunging into a dark world where black market surgery, kidnappings, and murder are the norm. Along the way, he meets a little girl whose father has plans for one of her vital organs. He feels compelled to help the child, but in doing so he risks falling victim to the father’s ambitions himself.

In Delivery, Miller masterfully balances the characterization, emotion, lyrical style, and serious tone of literary fiction with the captivating plot and pacing of a thriller, blending two genres in a way that he says mirrors the biracial experience. Like his main character, Miller is biracial and says growing up in a two-culture household while “passing” as white has had a tremendous effect on his view of the world and writing style. As an author, Miller often incorporates the themes of race and ethnicity into his works.

“My goal is to explore these and other issues thoughtfully, within context,” says Miller. “Being biracial is a significant facet of Ambojeem’s personality. It informs much of what he does and how he is treated, but it isn’t the sole touchstone of his character or of the book as a whole. It can feel all-consuming at times, but ultimately being biracial is one of many traits that can act as a lens through which we see the world.”

A thought-provoking read from beginning to end, Miller’s Delivery tackles these issues and more:

  • The immigrant experience in North America
  • Racism, ethnicity, and biracial identity
  • Fatherhood and the complex bonds between parent and child
  • Cultural aspects of female circumcision

ABOUT

Jonathan R. Miller writes literary fiction thrillers featuring multicultural characters and themes. He attended Stanford University and now lives in San Jose, California with his wife and daughter. Available as an eBook at Amazon.com, Delivery tackles the complex bonds between parent and child, the immigrant experience in the United States, female circumcision, and more.

 
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Posted by on February 11, 2013 in African American Books

 

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New Equiano Book, edited by Dr Eric D Lamore

Equiano Book

Equiano Book

The Interesting Narrative of the Life ofOlaudah Equiano, or Gustavus Vassa, the African. Written by Himself (1789) is one of the most frequently and heatedly discussed texts in the canon of eighteenth-century transatlantic literature written in English. Equiano’s Narrative contains an engrossing account of the author’s experiences in Africa, the Americas, and Europe as he sought freedom from bondage and became a leading figure in the abolitionist movement. While scholars have approached this sophisticated work from diverse critical and historical/biographical perspectives, there has been, until now, little written about the ways in which it can be successfully taught in the twenty-first-century classroom.

In this collection of essays, most of them never before published, sixteen teacher-scholars focus explicitly on the various classroom contexts in which the Narrative can be assigned and various pedagogical strategies that can be used to help students understand the text and its complex cultural, intellectual, literary, and historical implications. The contributors explore topics ranging from the religious dimensions of Equiano’s rhetoric and controversies about his origins, specifically whether he was actually born in Africa and endured the Middle Passage, to considerations of the Narrative’s place in American Literature survey courses and how it can be productively compared to other texts, including captivity narratives and modern works of fiction. They not only suggest an array of innovative teaching models but also offer new readings of the work that have been overlooked in Equiano studies and slavery studies. With these two dimensions, this volume will help ensure that conversations over Equiano’s eighteenth-century autobiography remain relevant and engaging to today’s students.

 

ERIC D. LAMORE is an assistant professor of English at the University of Puerto Rico at Mayaguez. A contributor to the Greenwood Encyclopedia of American Poets and Poetry, he is also the co-editor, with John C. Shields, of New Essays on Phillis Wheatley.

 
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Posted by on December 27, 2012 in African American Books

 

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Modernity, Freedom, and the African Diaspora: Dublin, New Orleans, Paris

Modernity, Freedom and the African Diaspora

Modernity, Freedom and the African Diaspora

Elisa Joy White went to meet members of the African Diaspora communities in three cities across the world.Dublin, New Orleans, and Paris White examines their role in the changing social norms and living conditions.

The Book begins by looking at Dublin’s emergent African immigrant community, White shows how the community’s negotiation of racism, immigration status, and xenophobia exemplifies the ways in which idealist representations of global societies are contradicted by the prevalence of racial, ethnic, and cultural conflicts within them.

Examining three contemporaneous events, the deportations of Nigerians from Dublin, the effect and aftermath of Hurricane Katrina in New Orleans, and the uprisings in the Paris suburbs-White reveals a common desire for social progress in the face of difficult and often worsening conditions.

Modernity, Freedom, and the African Diaspora: Dublin, New Orleans, Paris is a fascinating look at the way racism and social exclusion are still at work in our modern societies. Despite the respective government line of tolerance and equality, the anecdotes within the book paint a very different reality for people living within the African Diaspora.

Students and lecturers/professors  will certainly find this book useful as a marker of social attitudes in developed western cities, that presents a desperate contradiction of official Government policy and public proclamation.

Modernity, Freedom, and the African Diaspora: Dublin, New Orleans, Paris.
Author: Elisa Joy White 

Paperback: 356 pages
Publisher: Indiana University Press (June 11, 2012)
Language: English
ISBN-10: 0253001250
ISBN-13: 978-0253001252

Click to Buy this book

Modernity, Freedom, and the African Diaspora: Dublin, New Orleans, Paris (Blacks in the Diaspora)

 

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A Dark and Itchy Night

Steve Hebert for The New York Times

ON THE HUNT A bedbug-sniffing dog at a library in Wichita, Kan.

By 
Steve Hebert for The New York Times

Mark Lillis of Schendel Pest Services examines quarantined crates filled with library books in Wichita, Kan.

That’s because bedbugs have discovered a new way to hitchhike in and out of beds: library books. It turns out that tiny bedbugs and their eggs can hide in the spines of hardcover books. The bugs crawl out at night to feed, find a new home in a headboard, and soon readers are enjoying not only plot twists but post-bite welts.

As libraries are scrambling to deal with the problem, so are some book borrowers. Not wanting to spread the misery, considerate patrons sometimes call ahead to discuss with librarians how best to return lent materials from their bedbug-infested homes. Usually, a meeting is arranged so the patron can hand off the offending books or DVDs in Ziploc bags to an employee outside the library.

John Furman, the owner of Boot-a-Pest, a team of bedbug exterminators based on Long Island, said he has had hundreds of clients buy a portable heater called PackTite to kill bedbug life, baking any used or borrowed book as a preventive measure before taking it to bed.

But others have stopped borrowing books altogether. Each month, Angelica McAdoo, a jewelry designer, and her children used to bring home a stack of books from the Los Angeles Central Library — until Mrs. McAdoo heard that the library had had a bedbug scare in September. She had already battled bedbugs in her two-bedroom apartment in East Hollywood and hired an exterminator, who sprayed the perimeter of her bookshelves with pesticide, among other precautions.

For now, she is buying books at Target and is ambivalent about borrowing library books again. “I will not step foot in a library ever again — right now,” she said.

To reassure skittish patrons like Mrs. McAdoo, libraries are training circulation staff members to look for carcasses and live insects. Some employees treat suspect books with heat before re-shelving them, to kill bedbugs, which are about the size of an apple seed when fully grown. Others vacuum the crevices of couches, and some furniture is being reupholstered with vinyl or leatherette to make it less hospitable to insects.

As Michael Potter, a professor of entomology at University of Kentucky in Lexington, noted: “There’s no question in past few years there are more and more reports of bedbugsshowing up in libraries.”

Pest-control experts say the bugs are increasingly moving from homes, dorms and other lodging to settings like retail stores, offices and libraries, migrating not only in book spines, but also on patrons or their belongings.

And some librarians are not only confronting the public relations challenges in their communities, but trying to get ahead of the problem rather than hiding its existence.

Forty-eight hours after a patron complained of being bitten by a bedbug in a lounge chair at a library in Wichita, Kan., Cynthia Berner Harris, the library’s director, brought in a bedbug-sniffing dog to pinpoint problem areas. Later, she heat-treated all of the furniture in public areas, in addition to removing the infested chairs.

She also bagged up hundreds of books, including the oeuvres of Twain and Updike, because they were close to where the dog suspected bedbugs. (They were decontaminated for two weeks in some 45 bags with a vapor pesticide.)

“We wanted to go that one step beyond for our assurance,” Ms. Berner Harris said, and “to tell our citizens we’d done our due diligence.”

Recently, 70 or so employees of the nine libraries in Wichita gathered for a “bedbug boot camp,” where Michele Vance, marketing director of Schendel Pest Services, showed them how to identify bedbug excrement, which resembles dots made by a black felt-tip pen. She also explained how quickly bedbugs multiply, and how they can live for months without biting humans.

Vigilance at circulation desks is key, she added: “If you notice any signs — the stains, the skins, the bugs themselves — notify your supervisor!”

EVEN before seeing a bedbug at the public library in Islip, N.Y., Mary Schubart, the library’s director, took action, after reading about their alarming resurgence. She hired a bedbug-sniffing dog to make quarterly visits, and put what are known as “insect inceptor” cups under furniture legs.

As Ms. Schubart joked, “Nothing says ‘Welcome’ like a bedbug cup under every chair.”

When people asked about the cups, she told them that checking for bedbugs was a routine part of the library’s maintenance. “People take comfort in that proactive way,” she said.

Steve Hebert for The New York Times

A vial containing a live bed bug.

Other libraries are taking even more aggressive measures.

Twice in August, circulation desk employees at the University of Washington Libraries in Seattle saw insects crawling in returned books. Stephanie Lamson, head of preservation services, immediately put the books in Ziploc bags and banished them to Siberia-like decontamination for a week in a freezer in the natural history museum, at temperatures of minus 18 degrees Fahrenheit. Employees monitored the books for six days outside the freezer to see if anything was still alive, Ms. Lamson said. Then they spent another week in the deep-freeze. Ms. Lamson said she chose cold rather than heat because the latter can accelerate a book’s aging.

Within a week, she had hammered out a protocol for bedbugs and posted it on an internal Web site for her staff to review. Ms. Lamson has dealt with pests like silverfish, which eat the surface of pages, she said, but the bedbug has not been “our typical pest — until now.”

Sue Feir, the library director of Hastings-on-Hudson, N.Y., alerted patrons about what she called the library’s “localized bed bug problem” in an e-mail blast that was also posted online.

After someone was bitten in a chair, Ms. Feir took the chair outside, ripped off the fabric underneath and found more bedbugs. She called Bliss Pest Protection Services, which put the library’s furniture in a trailer and heated it to 130 degrees Fahrenheit for an hour, a strategy she touted in her e-mail as the best way of “pulverizing their eggs.”

To calm patrons’ nerves, Ms. Feir was quick to reassure them that she hadn’t brought any castaways home. “And I sit everywhere,” she said. “It is random in some ways.”

Since 2010, the Brooklyn Public Library, which has 60 branches, has “inspected virtually every branch for reported sightings,” said Jason Carey, a spokesman, and “treated some branches for localized infestations,” although the public was only notified when the Brighton Beach branch was closed for three weeks in 2011. (As for the New York Public Library system, it has had fewer than 10 confirmed bedbug cases since 2010 in its 90 branches, a spokeswoman said.)

A common weapon in the war against bedbugs in libraries is the PackTite, which sells for about $300. Cincinnati, for example, has 48 for its 41 libraries.

The PackTite was designed to heat-treat luggage. But now, as David James, an owner of Nuvenco, the company that makes the PackTite, noted, “libraries across the country, we hear from them on a weekly basis.”

Another heat-treat box is the $180 ThermalStrike with infrared panels. For a couple of years, librarians have been e-mailing questions to Mike Lindsey, ThermalStrike’s inventor, he said, asking if book glue can withstand the 150-degree Fahrenheit heat (it can) and how long a pile of books has to cook to kill bedbugs (five hours).

UNTIL September, Kuang-Pei Tu, a manager in the circulation department of the Los Angeles Central Library, had not given much thought to bedbugs. Then Nicole Gustas, a regular who borrows three or four books a week, returned several in Ziploc bags, explaining that a bedbug had crawled out of a copy of “True Blood” while she was reading it. After Ms. Gustas complained to L.A. Weekly about the incident, Ms. Tu said she began doing cursory inspections for signs of bedbugs.

“I don’t feel very good about it,” she said. “It’s not something that can be avoided, and we are given a secure action plan if we do spot them.”

As for Ms. Gustas, she is reluctant to return to the library. “It makes me sad,” she said. “It’s kind of like going to the beach and seeing a shark next to you.”

Then again, she could just stick to low-traffic books, if she wants to be a cautious library-goer. After all, some books are more likely to harbor bedbugs than others, said Philip Koehler, a professor of entomology at the University of Florida in Gainesville, Fla.

Best-sellers that have rested on many night tables are high-risk, he explained, as are hardcovers with spines where a female can lay eggs. “You probably don’t want to check out a popular book,” he said. “Maybe try old history books.”

 

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100 Notable Books of 2012

The year’s notable fiction, poetry and nonfiction, selected by the editors of The New York Times Book Review.

Julia Rothman

Illustration by Julia Rothman

FICTION & POETRY

ALIF THE UNSEENBy G. Willow Wilson. (Grove, $25.) A young hacker on the run in the Mideast is the protagonist of this imaginative first novel.

ALMOST NEVERBy Daniel Sada. Translated by Katherine Silver. (Graywolf, paper, $16.) In this glorious satire of machismo, a Mexican agronomist simultaneously pursues a prostitute and an upright woman.

AN AMERICAN SPYBy Olen Steinhauer. (Minotaur, $25.99.) In a novel vividly evoking the multilayered world of espionage, Steinhauer’s hero fights back when his C.I.A. unit is nearly destroyed.

ARCADIABy Lauren Groff. (Voice/Hyperion, $25.99.)Groff’s lush and visual second novel begins at a rural commune, and links that utopian past to a dystopian, post-global-warming future.

AT LASTBy Edward St. Aubyn. (Farrar, Straus & Giroux, $25.) The final and most meditative of St. Aubyn’s brilliant Patrick Melrose novels is full of precise observations and glistening turns of phrase.

BEAUTIFUL RUINSBy Jess Walter. (Harper/HarperCollins, $25.99.) Walter’s witty sixth novel, set largely in Hollywood, reveals an American landscape of vice, addiction, loss and disappointed hopes.

BILLY LYNN’S LONG HALFTIME WALKBy Ben Fountain. (Ecco/HarperCollins, $25.99.) The survivors of a fierce firefight in Iraq are whisked stateside for a brief victory tour in this satirical novel.

BLASPHEMYBy Sherman Alexie. (Grove, $27.) The best stories in Alexie’s collection of new and selected works are moving and funny, bringing together the embittered critic and the yearning dreamer.

THE BOOK OF MISCHIEF: New and Selected StoriesBy Steve Stern. (Graywolf, $26.) Jewish immigrant lives observed with effusive nostalgia.

BRING UP THE BODIESBy Hilary Mantel. (Macrae/Holt, $28.) Mantel’s sequel to “Wolf Hall” traces the fall of Anne Boleyn, and makes the familiar story fascinating and suspenseful again.

BUILDING STORIESBy Chris Ware. (Pantheon, $50.) A big, sturdy box containing hard-bound volumes, pamphlets and a tabloid houses Ware’s demanding, melancholy and magnificent graphic novel about the inhabitants of a Chicago building.

BY BLOODBy Ellen Ullman. (Farrar, Straus & Giroux, $27.) This smart, slippery novel is a narrative striptease, as a professor listens in on the sessions between the therapist next door and her patients.

CANADABy Richard Ford. (Ecco/Har­perCollins, $27.99.) A boy whose parents rob a bank in Montana in 1960 takes refuge across the border in this mesmerizing novel, driven by fully realized characters and an accomplished prose style.

CARRY THE ONEBy Carol Anshaw. (Simon & Schuster, $25.) Anshaw pays close attention to the lives of a group of friends bound together by a fatal accident in this wry, humane novel, her fourth.

CITY OF BOHANEBy Kevin Barry. (Graywolf, $25.) Somewhere in Ireland in 2053, people are haunted by a “lost time,” when something calamitous happened, and hope to reclaim the past. Barry’s extraordinary, exuberant first novel is full of inventive language.

COLLECTED POEMSBy Jack Gilbert. (Knopf, $35.) In orderly free verse constructions, Gilbert deals plainly with grief, love, marriage, betrayal and lust.

DEAR LIFE: StoriesBy Alice Munro. (Knopf, $26.95.) This volume offers further proof of Munro’s mastery, and shows her striking out in the direction of a new, late style that sums up her whole career.

THE DEVIL IN SILVERBy Victor LaValle. (Spiegel & Grau, $27.) LaValle’s culturally observant third novel is set in a shabby urban mental hospital.

ENCHANTMENTSBy Kathryn Harrison. (Random House, $27.) Harrison’s splendid and surprising novel of late imperial Russia centers on Rasputin’s daughter Masha and the hemophiliac ­czarevitch Alyosha.

FLIGHT BEHAVIORBy Barbara Kingsolver. (Harper/HarperCollins, $28.99.) An Appalachian woman becomes involved in an effort to save monarch butterflies in this brave and majestic novel.

FOBBITBy David Abrams. (Black Cat/Grove/Atlantic, paper, $15.) Clerks, cooks and lawyers at a forward operating base in Iraq populate this first novel.

THE FORGETTING TREEBy Tatjana Soli. (St. Martin’s, $25.99.) In Soli’s haunting second novel, a mysterious Caribbean woman cares for a cancer patient on an isolated California ranch.

GATHERING OF WATERSBy Bernice L. McFadden. (Akashic, $24.95.) Three generations of black women confront floods and murder in Mississippi.

GODS WITHOUT MENBy Hari Kunzru. (Knopf, $26.95.) Related stories, spanning centuries and continents, and all tethered to a desert rock formation, emphasize interconnectivity across time and space in Kunzru’s relentlessly modern fourth novel.

HHhHBy Laurent Binet. Translated by Sam Taylor. (Farrar, Straus & Giroux, $26.)This gripping novel examines both the killing of an SS general in Prague in 1942 and Binet’s experience in writing about it.

A HOLOGRAM FOR THE KINGBy Dave Eggers. (McSweeney’s, $25.) Eg­gers’s novel is a haunting and supremely readable parable of America in the global economy, a nostalgic lament for a time when life had stakes and people worked with their hands.

HOMEBy Toni Morrison. (Knopf, $24.) A black Korean War veteran, discharged from an integrated Army into a segregated homeland, makes a reluctant journey back to Georgia in a novel engaged with themes that have long haunted Morrison.

HOPE: A TRAGEDYBy Shalom Auslander. (Riverhead, $26.95.) Hilarity alternates with pain in this novel about a Jewish man seeking peace in upstate New York who discovers Anne Frank in his ­attic.

HOW SHOULD A PERSON BE? By Sheila Heti. (Holt, $25.) The narrator (also named Sheila) and her friends try to answer the question in this novel’s title.

IN ONE PERSONBy John Irving. (Simon & Schuster, $28.) Irving’s funny, risky new novel about an aspiring writer struggling with his sexuality examines what happens when we face our desires honestly.

A LAND MORE KIND THAN HOMEBy Wiley Cash. (Morrow/HarperCollins, $24.99.) An evil pastor dominates Cash’s mesmerizing first novel.

MARRIED LOVE: And Other StoriesBy Tessa Hadley. (Harper Perennial, paper, $14.99.) Hadley’s understatedly beautiful collection is filled with exquisitely calibrated gradations and expressions of class.

NWBy Zadie Smith. (Penguin Press, $26.95.) The lives of two friends who grew up in a northwest London housing project diverge, illuminating questions of race, class, sexual identity and personal choice, in Smith’s energetic modernist novel.

ON THE SPECTRUM OF POSSIBLE DEATHSBy Lucia Perillo. (Copper Canyon, $22.) Taut, lucid poems filled with complex emotional reflection.

PUREBy Julianna Baggott. (Grand Central, $25.99.) Children battle for the planet’s redemption in this precisely written postapocalyptic adventure story.

THE RIGHT-HAND SHOREBy Christopher Tilghman. (Farrar, Straus & Giroux, $27.) A dark, magisterial novel set on a Chesapeake Bay estate.

THE ROUND HOUSE. By Louise Erdrich. (Harper/HarperCollins, $27.99.) In this novel, an American Indian family faces the ramifications of a vicious crime.

SALVAGE THE BONESBy Jesmyn Ward. (Bloomsbury, $24.) A pregnant 15-year-old and her family await Hurricane Katrina in this lushly written novel.

SAN MIGUELBy T. Coraghessan Boyle. (Viking, $27.95.) Two utopians from different eras establish private idylls on California’s desolate Channel Islands; this novel preserves their tantalizing dreams.

SHINE SHINE SHINEBy Lydia Netzer. (St. Martin’s, $24.99.) This thought-provoking debut novel presents a geeky astronaut and his pregnant wife.

SHOUT HER LOVELY NAMEBy Natalie Serber. (Houghton Mifflin Harcourt, $24.)The stories in Serber’s first collection are smart and nuanced.

SILENT HOUSEBy Orhan Pamuk. Translated by Robert Finn. (Knopf, $26.95.) A family is a microcosm of a country on the verge of a coup in this intense, foreboding novel, first published in Turkey in 1983.

THE STARBOARD SEABy Amber Dermont. (St. Martin’s, $24.99.) Dermont’s captivating debut novel, whose narrator is a boarding school student and a sailor, takes pleasure in the sea and in the exhilarating freedom of being young.

SWEET TOOTHBy Ian McEwan. (Nan A. Talese/Doubleday, $26.95.) The true subject of this smart and tricky novel, set inside a cold war espionage operation, is the border between make-believe and reality.

SWIMMING HOMEBy Deborah Levy. (Bloomsbury, paper, $14.) In this spare, disturbing and frequently funny novel, a troubled young woman tests the marriages of two couples.

TELEGRAPH AVENUEBy Michael Chabon. (Harper/HarperCollins, $27.99.)Chabon’s rich comic novel about fathers and sons in Berkeley and Oakland, Calif., juggles multiple plots and mounds of pop culture references in astonishing prose.

THE TESTAMENT OF MARYBy Colm Toibin. (Scribner, $19.99.) This beautiful work takes power from the surprises of its language and its almost shocking characterization of Mary, mother of Jesus.

THIS IS HOW YOU LOSE HERBy Junot Díaz. (Riverhead, $26.95.) The stories in this collection are about love, but they’re also about the undertow of family history and cultural mores, presented in Díaz’s exciting, irresistible and entertaining prose.

THREE STRONG WOMENBy Marie NDiaye. Translated by John Fletcher. (Knopf, $25.95.) In loosely linked narratives, three women from Senegal struggle with fathers and husbands in France. This subtle, hypnotic novel won the Prix Goncourt in 2009.

TOBY’S ROOMBy Pat Barker. (Doubleday, $25.95.) This novel, a sequel to “Life Class,” delves further into the lives of an English family torn apart by World War I.

WATERGATEBy Thomas Mallon. (Pantheon, $26.95.) This novelistic re­imagining of the “third-rate burglary” proposes surprising motives for the break-in and the 18-minute gap, and has a sympathetic Nixon.

WHAT WE TALK ABOUT WHEN WE TALK ABOUT ANNE FRANK: Stories.By Nathan Englander. (Knopf, $24.95.) Englander tackles large questions of morality and history in a masterly collection that manages to be both insightful and ­uproarious.

THE YELLOW BIRDSBy Kevin Powers. (Little, Brown, $24.99.) A young private and his platoon struggle through the war in Iraq but find no peace at home in this powerful and moving first novel about the frailty of man and the brutality of war.

NONFICTION

ALL WE KNOW: Three LivesBy Lisa Cohen. (Farrar, Straus & Giroux, $30.) The vanished world of midcentury upper-class lesbians is portrayed as beguiling, its inhabitants members of a stylish club.

AMERICAN TAPESTRY: The Story of the Black, White, and Multiracial Ancestors of Michelle ObamaBy Rachel L. Swarns. (Amistad/HarperCollins, $27.99.) A Times reporter’s deeply researched chronicle of several generations of Mrs. Obama’s family.

AMERICAN TRIUMVIRATE: Sam Snead, Byron Nelson, Ben Hogan, and the Modern Age of GolfBy James Dodson. (Knopf, $28.95.) The author evokes an era when the game was more vivid and less corporate than it seems now.

ARE YOU MY MOTHER? A Comic DramaBy Alison Bechdel. (Houghton Mifflin Harcourt, $22.) Bechdel’s engaging, original graphic memoir explores her troubled relationship with her distant mother.

BARACK OBAMA: The StoryBy David Maraniss. (Simon & Schuster, $32.50.) This huge and absorbing new biography, full of previously unexplored detail, shows that Obama’s saga is more surprising and gripping than the version we’re familiar with.

BEHIND THE BEAUTIFUL FOREVERS: Life, Death, and Hope in a Mumbai UndercityBy Katherine Boo. (Random House, $27.) This extraordinary moral inquiry into life in an Indian slum shows the human costs exacted by a brutal social Darwinism.

BELZONI: The Giant Archaeologists Love to HateBy Ivor Noël Hume. (University of Virginia, $34.95.) The fascinating tale of the 19th-century Italian monk, a “notorious tomb robber,” who gathered archaeological treasures in Egypt while crunching bones underfoot.

THE BLACK COUNT: Glory, Revolution, Betrayal, and the Real Count of Monte CristoBy Tom Reiss. (Crown, $27.) The first Alexandre Dumas, a mixed-race general of the French Revolution, is the subject of this imaginative biography.

BREASTS: A Natural and Unnatural HistoryBy Florence Williams. (Norton, $25.95.) Williams’s environmental call to arms deplores chemicals in breast milk and the vogue for silicone implants.

COMING APART: The State of White America, 1960-2010By Charles Murray. (Crown Forum, $27.) The author of “The Bell Curve” warns that the white working class has abandoned the “founding virtues.”

DARWIN’S GHOSTS: The Secret History of EvolutionBy Rebecca Stott. (Spiegel & Grau, $27.) Stott’s lively, original history of evolutionary ideas flows easily across continents and centuries.

A DISPOSITION TO BE RICH: How a Small-Town Preacher’s Son Ruined an American President, Brought on a Wall Street Crash, and Made Himself the Best-Hated Man in the United StatesBy Geoffrey C. Ward. (Knopf, $28.95.) The author’s ancestor was the bane of Ulysses S. Grant.

FAR FROM THE TREE: Parents, Children, and the Search for IdentityBy Andrew Solomon. (Scribner, $37.50.) This passionate and affecting work about what it means to be a parent is based on interviews with families of “exceptional” children.

FLAGRANT CONDUCT. The Story of Lawrence v. Texas: How a Bedroom Arrest Decriminalized Gay AmericansBy Dale Carpenter. (Norton, $29.95.)Carpenter stirringly describes the 2003 Supreme Court decision that overturned the Texas sodomy law.

THE FOLLY OF FOOLS: The Logic of Deceit and Self-Deception in Human LifeBy Robert Trivers. (Basic Books, $28.) An intriguing argument that deceit is a beneficial evolutionary “deep feature” of life.

THE GREY ALBUM: On the Blackness of BlacknessBy Kevin Young. (Graywolf, paper, $25.) A poet’s lively account of the central place of the trickster figure in black American culture could have been called “How Blacks Invented America.”

HAITI: The Aftershocks of HistoryBy Laurent Dubois. (Metropolitan/Holt, $32.)Foreign meddling, the lack of a democratic tradition, a humiliating American occupation and cold-war support of a brutal dictator all figure in a scholar’s well-written analysis.

HOW CHILDREN SUCCEED: Grit, Curiosity, and the Hidden Power of CharacterBy Paul Tough. (Houghton Mifflin Harcourt, $27.) Noncognitive skills like persistence and self-control are more crucial to success than sheer brainpower, Tough maintains.

HOW MUSIC WORKSBy David Byrne. (McSweeney’s, $32.) This guidebook also explores the eccentric rock star’s personal and professional experience.

IRON CURTAIN: The Crushing of Eastern Europe, 1944-1956By Anne Applebaum. (Doubleday, $35.) An overwhelming and convincing account of the Soviet push to colonize Eastern Europe after World War II.

KAYAK MORNING: Reflections on Love, Grief, and Small BoatsBy Roger Rosenblatt. (Ecco/HarperCollins, paper, $13.99.) This thoughtful meditation on the evolution of grief over time asks the big questions.

LINCOLN’S CODE: The Laws of War in American HistoryBy John Fabian Witt. (Free Press, $32.) A tension between humanitarianism and righteousness has shaped America’s rules of warfare.

LITTLE AMERICA: The War Within the War for AfghanistanBy Rajiv Chandrasekaran. (Knopf, $27.95.) A beautifully written and deeply reported account of America’s troubled involvement in ­Afghanistan.

MEMOIR OF A DEBULKED WOMAN: Enduring Ovarian CancerBy Susan Gubar. (Norton, $24.95.) A feminist scholar recounts her experience and criticizes the medical treatment of a frightening disease in a voice that is straightforward and incredibly brave.

MY POETSBy Maureen N. McLane. (Farrar, Straus & Giroux, $25.) Part memoir and part criticism, this friendly book includes essays on poets canonical and contemporary, as well as lineated poem-games.

THE OBAMASBy Jodi Kantor. (Little, Brown, $29.99.) Michelle Obama sets the tone and tempo of the current White House, Kantor argues in this admiring account, full of colorful insider anecdotes.

ODDLY NORMAL: One Family’s Struggle to Help Their Teenage Son Come to Terms With His SexualityBy John Schwartz. (Gotham, $26.) A Times reporter’s deeply affecting account of his son’s coming out also reviews research on the experience of LGBT kids.

ON A FARTHER SHORE: The Life and Legacy of Rachel CarsonBy William Souder. (Crown, $30.) An absorbing biography of the pioneering environmental writer on the 50th anniversary of “Silent Spring.”

ON SAUDI ARABIA: Its People, Past, Religion, Fault Lines — and FutureBy Karen Elliott House. (Knopf, $28.95.) A Pulitzer Prize-winning journalist unveils this inscrutable country, comparing its calcified regime to the Soviet Union in its final days.

THE ONE: The Life and Music of James BrownBy RJ Smith. (Gotham, $27.50.)Smith argues that Brown was the most significant modern American musician in terms of style, messaging, rhythm and originality.

THE PASSAGE OF POWER: The Years of Lyndon JohnsonBy Robert A. Caro. (Knopf, $35.) The fourth volume of Caro’s magisterial work spans the five years that end shortly after Kennedy’s assassination, as Johnson prepares to push for a civil rights act.

THE PATRIARCH: The Remarkable Life and Turbulent Times of Joseph P. KennedyBy David Nasaw. (Penguin Press, $40.) This riveting history captures the sweep of Kennedy’s life — as Wall Street speculator, moviemaker, ambassador and dynastic founder.

PEOPLE WHO EAT DARKNESS: The True Story of a Young Woman Who Vanished From the Streets of Tokyo — and the Evil That Swallowed Her UpBy Richard Lloyd Parry. (Farrar, Straus & Giroux, paper, $16.) An evenhanded investigation of a murder.

RED BRICK, BLACK MOUNTAIN, WHITE CLAY: Reflections on Art, Family, and SurvivalBy Christopher Benfey. (Penguin Press, $25.95.) Mixing memoir, family saga, travelogue and cultural ­history.

RULE AND RUIN. The Downfall of Moderation and the Destruction of the Republican Party: From Eisenhower to the Tea PartyBy Geoffrey Kabaservice. (Oxford University, $29.95.) Pragmatic Republicanism was hardier than we remember, Kabaservice argues.

SAUL STEINBERG: A BiographyBy Deirdre Bair. (Nan A. Talese/Doubleday, $40.)A gripping and revelatory biography of the eminent cartoonist.

SHOOTING VICTORIA: Madness, Mayhem, and the Rebirth of the British MonarchyBy Paul Thomas Murphy. (Pegasus, $35.) An uninhibited and learned account of the attempts on the life of Queen Victoria, which only increased her popularity.

SHORT NIGHTS OF THE SHADOW CATCHER: The Epic Life and Immortal Photographs of Edward CurtisBy Timothy Egan. (Houghton Mifflin Harcourt, $28.) A deft portrait of the man who made memorable photographs of American ­Indians.

THE SOCIAL CONQUEST OF EARTH. By Edward O. Wilson. (Norton, $27.95.) The evolutionary biologist explores the strange kinship between humans and some insects.

SOMETIMES THERE IS A VOID: Memoirs of an OutsiderBy Zakes Mda. (Farrar, Straus & Giroux, $35.) The South African novelist and playwright absorbingly illuminates his wide, worldly life.

SPILLOVER: Animal Infections and the Next Human PandemicBy David Quammen. (Norton, $28.95.) Quammen’s meaty, sprawling book chronicles his globe-trotting scientific adventures and warns against animal microbes spilling over into people.

THE TASTE OF WAR: World War II and the Battle for FoodBy Lizzie Colling­ham. (Penguin Press, $36.) Collingham argues that food needs contributed to the war’s origins, strategy, outcome and aftermath.

THOMAS JEFFERSON: The Art of PowerBy Jon Meacham. (Random House, $35.) This readable and well-researched life celebrates Jefferson’s skills as a practical politician, unafraid to wield power even when it conflicted with his small-government views.

VICTORY: The Triumphant Gay RevolutionBy Linda Hirshman. (Harper/Har­perCollins, $27.99.) Written with knowing finesse, this expansive history of gay rights from the early 20th century to the present draws on archives and interviews.

WHEN GOD TALKS BACK: Understanding the American Evangelical Relationship With GodBy T. M. Luhrmann. (Knopf, $28.95.) Evangelicals believe that God speaks to them personally because they hone the skill of prayer, this insightful study argues.

WHY BE HAPPY WHEN YOU COULD BE NORMAL? By Jeanette Winterson. (Grove, $25.) Winterson’s unconventional and winning memoir wrings humor from adversity as it describes her upbringing by a wildly deranged mother.

WHY DOES THE WORLD EXIST? An Existential Detective StoryBy Jim Holt. (Liveright/Norton, $27.95.) An elegant and witty writer converses with philosophers and cosmologists who ponder why there is something rather than nothing.

Previous Years’ Lists

2011 | 2010 | 2009 | 2008 |2007 2006 | 2005

 
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Posted by on November 30, 2012 in African American Books

 

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What Is Black Community? Book Review of A Nation Within A Nation

 

A scholarly survey of how African Americans struggled for a community identity before the Civil War — and how it affects us today.

Depending on whom you ask, the question of what most defines the African American community varies. Some will point to strides made toward racial integration. Others will point to the establishment of our own culture, traditions, and institutions that distinguish us from other races. And depending on whom you engage in this debate, most will admit, there are significant cultural and class divisions among African Americans. Creating a sense of community among African Americans is challenging, but imagine attempting this when the prevalent identifier was slavery.

In his book A Nation Within A Nation: Organizing African American Communities Before the Civil War, scholar John Ernest offers an insightful view of how African Americans to establish their identities before the civil war. This is a unique view since most accounts of this time in history focus on how the Civil War changed our status and sense of community. Ernest presents a view of the oft-overlooked organizations that were pushing for the establishment of an African American community well before the Emancipation Proclamation.

Ernest, a professor of American literature at West Virginia University, presents a historical account of how five types of social organizations — the church, Masonic lodges, conventions, schools, and the media/press — got their start. He traces how each attempted to meet the unique needs of the African American community.

One of Ernest’s most striking observations is that our forefathers held two key approaches on how the establishment of community should be accomplished. Some believed that African Americans should fight to assimilate into the majority community, and that finding acceptance there was the ultimate measure of progress. Others, smarting from their experiences with severe racism, believed that creating a new community — i.e., a nation within a nation — was the best approach.

What’s fascinating to consider is that the African American is still divided along those lines. What’s more, the tension between those two mindsets still polarizes our community. Those who fight to be accepted among the majority, which in our time is still white Americans, are often accused of being disloyal to their heritage. Those who fight to establish their own culture are often accused of being separatist, or in the most severe cases racists themselves.

Ernest also highlights the painful fact that from our earliest history, oppression was the most common connection among most African Americans. Even free African Americans faced oppression, opposition, and racism. Many of the organizations formed during that time were built on freedom from that oppression.

A Nation Within a Nation, although focused on the past, whispers to our current conditions. What would our culture be like if the oppression of our ancestors was removed from our current community? How would we then define ourselves? This book made me wonder if a common denominator could ever be found for African Americans. It also made me wonder about the efficiency of trying to define ourselves by a single idea.

But don’t expect answers to those questions in this book. Ernest writes the book in true historian style, only presenting information without his personal beliefs. His writing has the density of academia, so this is not a quick read. In my opinion, this is the best approach. So much our history has been interpreted for us by pop culture or presented in snapshots. It’s refreshing to be able to read such rich history without a filter and with all the weightiness it deserves.

I think the most enjoyable aspect of this book is the discussion that has arisen among those in my African American community. This is a topic that needs to be revisited, and A Nation Within a Nation provides a great springboard for beginning that important dialogue

 
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Posted by on November 29, 2012 in African American Books

 

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Detective Work Authenticates Novel by Harlem Renaissance Writer Claude McKay

RTWT is currently reading Banana Bottom by McKay.

1941 portrait of Claude McKay taken by Carl Van Vechten from the archives of the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library
1941 portrait of Claude McKay taken by Carl Van Vechten from the archives of the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library

As an intern in Columbia’s Rare Book & Manuscript Library(RBML), Jean-Christophe Cloutier was used to the silence. But he could barely contain himself the day he stumbled on what appeared to be a previously unknown manuscript by Harlem Renaissance writer Claude McKay in the archives of another writer.

“There was a kind of inner tremor of excitement but also of disbelief,” said Cloutier, a Ph.D. candidate in English literature. “The archive is such a quiet place it simply feels inappropriate to cry out or get agitated in any way. So it was a silent moment on the outside, but deafening with possibilities on the inside.”

Cloutier was cataloging the archives of publisher and writer Samuel Roth, who is perhaps best known for publishing unauthorized editions of James Joyce’s Ulysses and D.H. Lawrence’s Lady Chatterley’s Lover in America (and spending a year in prison on charges of distributing pornography). He was the appellant in Roth v. United States, a 1957 U.S. Supreme Court case that strengthened constitutional protection of obscene material.

The manuscript, which bears McKay’s name and is titled Amiable with Big Teeth: A Novel of the Love Affair Between the Communists and the Poor Black Sheep of Harlem, was in a cheap black binder with a publisher’s note in Roth’s hand. Elsewhere in the archive Cloutier found papers related to a ghostwriting project that Roth wanted McKay to handle. Cloutier got in touch with English Professor Brent Edwards, whose 2003 book The Practice of Diasporacontains a chapter on McKay. The ghostwritten book, if it ever existed, has never surfaced, but correspondence between McKay and Roth suggested to Edwards that Cloutier was on to something big.

Jean-Christophe Cloutier was an intern in Columbia’s Rare Book & Manuscript Library. (Image credit: Lynn Saville)
Jean-Christophe Cloutier was an intern in Columbia’s Rare Book & Manuscript Library.

Image credit: Lynn Saville

Both men read the manuscript in search of more clues. It quickly became clear that the subject matter matched McKay’s interests. The novel focuses on political activism in Harlem during the 1935-1936 Italian invasion of Ethiopia, a hot topic among African Americans for whom Ethiopia and its leader Emperor Haile Selassie were a source of black nationalist pride. The Jamaican-born McKay, whose 1928 novel Home to Harlem was the first bestseller by a black writer in the United States, often used the clash of cultures as a theme in his work.

There were other clues, too, such as frequent use of the term Aframerican, a signature McKay-ism for African American. And handwritten corrections in the text were consistent with those in other McKay texts.

Verification required piecing together information from various archives. Edwards and Cloutier combed through Harlem’s Schomburg Center for Research in Black Culture, which handles McKay’s estate. There they found correspondence in which McKay refers to the novel.

Related Links

A search of Syracuse University’s archives of E.P. Dutton, the publisher of McKay’s Harlem: Negro Metropolis, revealed weekly advances of $25 to McKay for a novel that may have been called God’s Black Sheep, which resembles the unpublished manuscript’s subtitle. Cloutier and Edwards hypothesize that Dutton might have rejected McKay’s novel before it was submitted to Roth.

Yale’s Beinecke Rare Book & Manuscript Library offered the most concrete clue: a letter to McKay from socialist magazine editor, writer and Leon Trotsky translator Max Eastman, directly quoting lines from the book.

Cloutier was working in RBML as part of an Andrew W. Mellon Foundation internship that trains graduate students in archival science. “A key piece of our strategy was bringing the skills and interests of talented graduate students to bear on a broad range of unprocessed material,” said Michael Ryan, director of the RBML—a plan that has clearly paid off.

For his part, Cloutier was not only thrilled with the discovery but also noted with satisfaction that the reappearance of the manuscript seems to explain archival letters that had, until now, only pointed to a mysterious McKay novel. “It’s only because we have this novel that all these letters have significance and meaning. It makes the whole history come alive,” he said.

Cloutier and Edwards, whose discovery of the McKay manuscript was recently featured on the front page of the New York Times Arts section are now working on an introduction to accompany the first edition of Amiable with Big Teeth, which will offer proof of the novel’s authenticity and explore McKay’s life at the time he was writing the book.

—by Nick Obourn

 
 

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Be Free and Read: Our Pick of 7 of the Best Banned Books

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Our favorite literary holiday, Banned Books Week, is finally upon us. In case you are not familiar with it, Banned Books Week is an annual national awareness holiday held during the last week of September that celebrates the freedom to read by drawing attention to books that have been challenged or banned in schools and libraries. According to the American Library Association, there were 326 challenges reported to the Office of Intellectual Freedom in 2011 for reasons such as language, violence, and sexual content. This year marks the thirtieth anniversary of the observance of Banned Books Week, which inspired us to recount our favorite banned books. The biggest challenge we faced was narrowing down the list to a mere seven favorites. Be sure to weigh in below with your favorite banned books.

The Giver, by Lois Lowry
It comes as no surprise that a young adult novel dubbed “the suicide book” caused waves among parents. Lois Lowry’s 1993 Newbery-winning dystopian classic about a society that managed to outlaw negative feelings has the distinction of being one of the most frequently challenged books in middle school libraries across the United States. Parents find fault with the actions of the government in The Giver, responsible for a myriad of horrible offenses they consider routine, such as euthanizing the elderly and killing one child in a set of twins. Luckily, most of the challenges made against The Giverhave been unsuccessful, helping younger generations retain access to Lowry’s powerful statement against totalitarian government control and the loss of emotions.

Fahrenheit 451, by Ray Bradbury
Numbering among the most ironically banned books (along with 1984 and Brave New World), Ray Bradbury’s brilliant 1953 vision of future government using firefighters to burn books that have the potential to inspire critical thinking has been continually met with opposition since publication. Most of the complaints have been about the offensive language (too many “hells” and “damns” for parents) along with “anti-Christian” allegations, due to the fact that the bible was among the books burned. Those who opposed Fahrenheit 451made the claim that Bradbury advocated bible burning, while in fact the opposite was true: Bradbury attempted to illustrate how out of control government censorship had become when religious texts were among the books burned.

Harry Potter and the Sorcerer’s Stone, by J.K. Rowling
J.K. Rowling’s seven-book series centered on teenage wizards battling evil forces has continued to delight and entertain millions since the first novel was published fifteen years ago. However, Harry Potter managed to upset conservative parents in the United States. In 1999, a group of South Carolina parents lobbied to have the Harry Potter books removed from the classroom on the grounds that they glamorize the occult. It’s a shame that one of the series credited for inspiring children to love reading has been met with opposition. We can only hope that upon the publication of the final book in J.K. Rowling’s trilogy, when good triumphs over evil, some of the opposition was inspired to see the light.

The Awakening, by Kate Chopin
Kate Chopin’s progressive 1899 novella about one woman’s radical decision to revolt against traditional femininity by leaving her family to take a lover and pursue a career as an artist in an Orthodox Southern community was considered immoral and censored upon publication, due to Chopin’s brazen portrayal of female sexual desire. Despite the fact that The Awakening garnered a number of strong reviews, the backlash proved to be so intense that Kate Chopin never wrote another novel. We feel fortunate that she was brave enough to publish The Awakening, which is today recognized as one of the founding texts for the women’s movement.

Beloved, by Toni Morrison
Toni Morrison’s novels have never shied away from confronting heavy subjects such as racism, evil, and loss of innocence head-on. Her 1987 classic, Beloved, is no exception. Beloved tells the story of Sethe and her daughter Denver after their escape from enslavement during the Civil War. Despite winning the Pulitzer Prize for fiction in 1988,Beloved was challenged by many concerned parents who protested the book on grounds that it contained incest, rape, sex, infanticide, and profanity.

Anne Frank: The Diary of a Young Girl, by Anne Frank
It’s hard to believe that a book widely regarded as one of the resonating works of classic literature documenting the atrocities of the Nazi regime was successfully banned from Virginia school systems in 2010. Anne Frank’s firsthand account of her two years hiding from the Nazis in an Amsterdam warehouse was protested on the grounds that it contained “sexually explicit material and homosexual themes.” The version that was successfully banned in Virginia was The Diary of a Young Girl: the Definitive Edition, which contained passages previously excluded from the original 1947 edition.

The Perks of Being a Wallflower, by Stephen Chbosky
A generation of teenagers sat up and paid attention to Stephen Chbosky’s 1999 ode to awkward adolescence. The Perks of Being a Wallflower is told from the perspective of a teenager who calls himself “Charlie” as he documents the ups and downs of his freshman year of high school. There have been at least ten instances of the book being challenged or banned since publication, mainly attributable to sexual content and drug use. If you ask us, coming-of-age novels that exclude those subjects are potentially disingenuous.

 
 

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African-American authors participate in inaugural Urban Book Festival

Urban Book Festival
By DAN DEARTHdan.dearth@herald-mail.com
African-American authors from as far away as Atlanta and Cleveland converged on the Bridge of Life church in downtownHagerstown on Saturday to participate in the inaugural Urban Book Festival.

Event organizer Ladetra Robinson said she used Facebook and other Internet sources to invite the authors to sell their books and show the community that other African-American writers exist besides Maya Angelou.

“A lot of them have never been here before, but they agreed to come to showcase their books,” Robinson said.

Eleven authors attended Saturday’s event, which was sponsored by the Washington County Free Library, Women of Valor, Homewood Suites by Hilton, Bridge of Life church, Blossom School of Etiquette, The Herald-Mail and WHAG-TV.

Robinson said the generosity of the sponsors allowed organizers to provide food and lodging for the authors.

Adrian “Ox” Mendez said he drove 12 hours from Atlanta to promote “High Risks,” his latest novel about betrayal and revenge.

“It’s a violent book full of suspense,” he said.

Mendez said he was impressed by the inaugural book festival.

“People have been flowing in and out,” he said. “I can see how after the first year, this can get bigger.”

Mendez lauded the sponsors and Robinson for treating the authors so well.

“I have nothing but blessings for them,” he said.

DeVaughn Lilly said he made the five-hour trip from Cleveland to attend the event with his father and manager.

He was at the book festival Saturday to plug his historical-fiction novel “The Magnificent Life of Gravvy Brown.”

“It takes place in New Orleans between 1905 and 1941,” he said. “It’s about a young man on death row for the brutal murder of his mother, and on the eve of his execution for this crime and three days before his 21st birthday, he sits down with a journalist to tell of him and his mom’s life story.”

Lilly said that story involves the humble beginnings of Gravvy Brown’s mother on the harsh streets of New Orleans to being one of the biggest stars in Hollywood at the time of her death.

“He claims to be innocent,” Lilly said of Gravvy Brown. “This young man is crying innocence hours before he’s scheduled to be executed for this crime.”

Lilly said he chose New Orleans as the setting of the novel because he has always been fascinated by the city’s culture and wanted to give the residents something to enjoy after the devastation of Hurricane Katrina.

He said he wants to be a part of restoring literature as the main form of entertainment in America.

“My goal and my dream is to become the biggest author in the world,” Lilly said. “I want to totally revolutionize the literary world to make it cool to read again.”

In addition to the authors, the book festival featured music and poetry readings.

 
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Posted by on September 24, 2012 in African American Books

 

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How To Save Your Daughter’s Life: Straight Talk For Parents From America’s Top Criminal Profiler

Deerfield Beach, FL – Whenever a young woman meets a tragic end, Pat Brown’s phone starts to ring. She spends the next few days on the national TV circuit making appearances on The Today Show, CNN, Nancy Grace, and more. She talks about what kind of person would commit the crime in question whether it’s a rape, murder, or some other horrific violation. Her hope is that by sharing some thoughts that may not have occurred to some of the viewers, she might save some lives.

In her book, How To Save Your Daughter’s Life: Straight Talk For Parents From America’s Top Criminal Profiler (HCI Books — $14.95), Pat Brown, who has provided crime commentary and forensic analysis in more than 2,000 TV and radio appearances, talks to parents and their daughters in a no-holds-barred voice to get them to understand how predators choose victims and how to avoid becoming a target. She covers all of the dangers that today’s young women face and arms parents with information they rarely get from professionals.

Brown says that no one deserves to be murdered, even if she was out selling her body on the street or was buying drugs in a bad part of town, or was cheating on her boyfriend with his brother. She feels it’s terribly important to be honest and show women how the behaviors victims engage in may bring them into harm’s way.

“Talking about the perpetrator may be fascinating and educational, and we can rail about changing the system, locking these monsters up, but it isn’t going to do much to save your daughter’s life today,” Brown says.

In How To Save Your Daughter’s Life, the author hopes to help parents and young women understand the world of psychopaths and criminals; how they think, where they lurk, and how they lure and grab victims. She talks about what kinds of choices and defenses will protect her and which ones are dangerous. Each chapter in the book also has suggestions for the more willful child, and at the end of the chapter is a “Letter to My Daughter” that even a defiant daughter may benefit from.

This book reads like a handbook and should be a part of the household of anyone with a daughter. Truly, this is straight talk for parents from an expert criminal profiler.

Pat Brown is a nationally known criminal profiler, television commentator, author, and founder and CEO of The Sexual Homicide Exchange and The Pat Brown Criminal Profiling Agency. She has provided crime commentary and profiling and forensic analysis in more than 2,000 television and radio appearances in the United States and across the globe. She can be seen regularly on the cable television news programs on CNN, MSNBC, and FOX, and is a frequent guest of The Today Show, the CBS Early Show, Larry King, Inside Edition, Nancy Grace, Issues with Jane Velez-Mitchell, Dr. Drew, Joy Behar, and America’s Most Wanted. Her radio show Profile This! airs every Sunday on BlogTalkRadio (9:00 pm EST).

For four seasons, Brown profiled crimes on the weekly Court TV crime show, I, Detective. She is the host of the 2004 Discovery Channel documentary, The Mysterious Death of Cleopatra. In the spring of 2006, Brown went inside one of Florida’s maximum-security prisons to interview a child murderer for the Discovery Channel series Evil Minds. In 2010 she profiled a new Jack the Ripper suspect for Investigation Discovery’s Mystery Files. She is the author of The Profiler: My Life Hunting Serial Killers, Psychopaths, and Killing for Sport: Inside the Minds of Serial Killers, and is a contract writer for Crime Library. Brown contributed special feature content included in the 2005 home DVD edition of Profiler: Season Two and the 15th Anniversary Edition, 2006 DVD release of Quentin Tarantino’s crime classic Reservoir Dogs.

Since 1996, Brown’s organization The Sexual Homicide Exchange (SHE) has offered criminal profiling services at no charge to law enforcement and training for detectives. Its latest program, All Our Children Matter, is dedicated to stopping violence against children through criminal profiling education and proactive training for parents and communities.

 
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Posted by on September 12, 2012 in African American Books

 

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New Book about African-American Literary Icon Gwendolyn Brooks

Religious Allusion in the Poetry of Gwendolyn Brooks by New Jersey English Professor and Author Margot Harper Banks is a fascinating new book about literary genius Gwendolyn Brooks, the first African American to win the Pulitzer Prize for Poetry in 1950. The book has well-researched biblical commentary, meticulous literary analysis and a chapter-length biography complemented by an interview with daughter, Nora Brooks Blakely. Religious Allusion is the first critical book on Brooks’ work to be published in nearly a decade though Brooks was an American literary giant, who had immeasurable influence on American Modern Poetry. She published more than 30 books and was awarded more than 75 honorary degrees before her death in 2000. Yet, the number of scholarly books examining her work does not reflect her stature in American Letters. Banks’ extraordinary book is a major contribution to African American literary scholarship.

Dr. Margot Harper Banks is a Professor of English at Kean University, Union, New Jersey, where she coordinated the Freshman College Composition Program for 24 years. As former chair of the Kean University Writers Series, she met Gwendolyn Brooks there in 2000. A native of McKeesport, Pennsylvania, Banks and her family reside in Orange, New Jersey. She holds a B.A. from Long Island University, M.A. from the University of Pittsburgh and Ed.D. from Rutgers University. She is a lifelong member of the African Methodist Episcopal Church and serves as Steward Pro-Tem at Bethel A.M.E. Church, Vauxhall, New Jersey. Dr. Banks is a member of the College Language Association, Delta Sigma Theta Sorority, National Life member of Jack and Jill of America, Inc. and a charter member of the Greater North Jersey Chapter of The Society Inc.

In addition to articles written for professional journals, Dr. Banks edited two freshman composition texts, Issues and the Individual (McGraw Hill, 2001, 2002) and Comment and Controversy in Today’s World (Pearson, 2006). She has also engaged in intensive Bible Study for more than 10 years in Bible Study Fellowship. For additional information contact the author at margotbanks@yahoo.com. Please use Religious Allusion as the subject.

 
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Posted by on September 4, 2012 in African American Books

 

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Brainwashed Book Review

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These pages examine the roots of why, more than 140 years after the Emancipation Proclamation, so many of us still think like slaves… In Brainwashed, we will question why we still think so little of ourselves, why our grandmothers still put their savings in a special offering plate to help pay for the pastor’s new luxury automobile, why our children answer when called ‘ho’ and ‘nigga’… and why we, all too often, avoid critical thinking about any of this…

Even at this unprecedented and powerful point in American history, friends, colleagues, and well-wishers still express their frustration with black America’s ever-worsening dependency on handouts, corporate sponsorships, and our kids’ lack of respect for anything and anyone, especially themselves. They finally convinced me that my advertising-based discoveries about the brainwashing of my people, and my ideas about how to finally reverse its effects, could fill a book.
Well, here it is.”

- Excerpted from the Introduction (pg. xvi)

Ever since the dawn of the nation when the Founding Fathers deliberately rationalized slavery by spreading the big lie that black people were inferior, African-Americans have suffered from serious self-esteem issues. But why has this phenomenon continued to persist so long past emancipation and the elimination of the Jim Crow system of segregation?

This is the nagging thought which inspired Tom Burrell to write Brainwashed: Challenging the Myth of Black Inferiority. After all, as an advertising executive with 45 years in the business, he is well aware of the power of propaganda. So he knows that American society has done such a good job on the minds of blacks that they have not only internalized but have willingly participated in the perpetuation and further dissemination of nearly every negative stereotype propagated about them by the media.

Blending the best elements of “Four Arguments for the Elimination of Television” by Jerry Mander and “The Post-Traumatic Slave Syndrome” by Dr. Joy DeGruy Leary with some rather novel ideas of his own, the author raises ten tough, but critical questions, each addressing a problem area presently plaguing the African-American psyche. “Why can’t we build strong families?” “Why do we perpetuate black sexual stereotypes?” “Why are ‘black’ and ‘beauty’ still contradictions?” “Why do we keep killing each other?” “Why are we killing ourselves?” “Why can’t we stop shopping?” Etcetera…

Devoting an entire chapter to each of the above inquiries, Burell explores his subject-matter at considerable length and depth with the hope of helping to eradicate self-destructive behaviors. He believes that people have to heal from the inside-out, so his solutions start with each individual’s recognition that you’ve been brainwashed, and that you can reprogram your mind because it is ultimately under your control.

A potentially-transformative, seminal treatise provided readers are receptive to contemplating commonly-accepted practices like the use of the N-word, corporal punishment and hair relaxers as possibly the vestiges of a deep-seated self-hatred implanted in the brain by white supremacist notions.

To order a copy of Brainwashed, visit: AMAZON

Brainwashed:
Challenging the Myth of Black Inferiority
by Tom Burrell
Smiley Books
Paperback, $15.95
310 pages, Illustrated
ISBN: 1401925928

Kam Williams is a syndicated film and book critic who writes for 100+ publications. He is a member of the New York Film Critics Online, the African-American Film Critics Association, and the NAACP Image Awards Nominating Committee. Contact him through NewsBlaze.

 
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Posted by on September 3, 2012 in African American Books

 

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Book Review: The Preacher and The Prostitute

The Preacher and The Prostitute-2

About The Book
Maribel struggled to forget her past, when she dabbled in prostitution, made porn videos and was a nude poster girl. She became a Christian and made a decision to use her singing talent to glorify God. However, she quickly realized that a young, single, attractive, talented girl was never going to remain unnoticed at church.

First, she captures the attention of a jealous church sister who is determined to dig into her mysterious past and then the new pastor who seemed to reciprocate her affection. After falling in love with him, her past rears its ugly head and Maribel realizes that she has to tell her new found love the truth about her history before she can accept his marriage proposal. Can a preacher and an ex- prostitute be happy together?

Reviews

This is an excellent and well written book by Brenda Barrett. A fictional book yet I’m sure many readers can relate to this in their very own way. A great romance, secrets, demons for the past type of novel that grabs your attention from the very beginning. I finish this book in 2 days staying up late each night after work. This is one of the most fascinating novels I’ve read in a while. The author brings you into a young girls life that went down the wrong path but is trying to change her ways but runs into many challenges. I highly recommend this book. – Cherrie

This was a great romance novel. Love all the characters in the novel. I really wanted to support Maribel and wanted her to find love! It was a very interesting catch of a story to see unravel. It was very intriguing and proves what real love should be about! Totally recommended. – Sammy

Who would have thought life among faithful church goers would be so exciting and passionate. I like the way the story captures the true quintessence of lust between two people, even under watchful criticizing eyes. This makes it a pretty interesting read; A classical Christian romance novel complete with lots of biblical messages and advice to apply to your own personal experiences. Even though it’s hard not to judge women in lewd professions, whether currently or in the past, the Author did a remarkable job in showing the main character in an empathetic light. This is a great reminder to not judge people and a compelling showcase of forgiveness. I also love the determination and strength displayed by the main character to turn her life around and maintain a decent livelihood despite the many trials she faced, especially that her past relentlessly tried to rear its ugly head. – Claudine
About The Author
Brenda Barrett is a full time writer and avid reader. She has several novels on the market.

Where To Buy This Book
New Beginnings can be found at Amazon.com.  It is also available island-wide. For more Brenda Barrett books you can visit her blog at fiwibooks.com

 

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2012 FREDERICK DOUGLASS BOOK PRIZE FINALISTS ANNOUNCED

 

 

The finalists for the 14th Annual Frederick Douglass Book Prize have been announced.

From the announcement:

Robin Blackburn for The American Crucible: Slavery, Emancipation and Human Rights (Verso Books)

In The American Crucible, Robin Blackburn has provided one of the most commanding and wide-ranging examinations of Atlantic abolitionism in years.  In an era of specialization, Blackburn thinks big, connecting emancipation moments through both time and space. Blackburn’s work compels scholars to think anew about abolitionism’s relevance to global modernity.

R. Blakeslee Gilpin for John Brown Still Lives: America’s Long Reckoning with Violence, Equality, and Change (University of North Carolina Press)

Finding new scholarly perspectives on John Brown is no easy task but R. Blakeslee Gilpin’s engaging and ramifying book does just that by examining the myriad ways that Americans have used Brown’s memory since the Civil War era. John Brown Still Lives! offers a profound meditation on the long-running debate over slavery, freedom and the struggle for racial justice in American hearts and minds.

Carla L. Peterson for Black Gotham: A Family History of African Americans in
Nineteenth-Century New York City (Yale University Press)

Carla Peterson’s Black Gotham brilliantly reconstructs her own family’s elusive past as a window unto free black life in 19th century New York. Part detective tale, part cultural history, Peterson’s book recaptures hidden stories of black abolitionism, economic uplift, Civil War heroism, and turn-of-the-century civil rights movements. By painstakingly reconstructing a segment of black New York, Peterson highlights a vibrant cast of characters who constantly redefined the meaning of both American and African American freedom.

James H. Sweet for Domingos Álvares, African Healing, and the Intellectual
History of the Atlantic World (University of North Carolina Press)

James Sweet’s thoughtful and moving book about African healer Domingos Alvares provides much more than a biographical portrait of a remarkable 18th century man. Rather, Sweet’s imaginative reconstruction of Alvares’ life in and out of bondage places African worldviews at the center of Atlantic history. Domingos Alvares also makes a compelling case for redefining the intellectual history of Atlantic society from Africans’ perspectives.

 

The winner will be announced following the Douglass Prize Review Committee meeting in the fall, and the award will be presented at a celebration in New York City on February 28, 2013. This year’s finalists were selected from a field of over one hundred entries by a jury of scholars that included Richard S. Newman, Chair (Rochester Institute of Technology), Shawn Alexander (University of Kansas), and Linda Heywood (Boston University).

The Frederick Douglass Book Prize was established in 1999 to stimulate scholarship in the field by honoring outstanding accomplishments. Previous winners are Ira Berlin and Philip D. Morgan in 1999; David Eltis, 2000; David Blight, 2001; Robert Harms and John Stauffer, 2002; James F. Brooks and Seymour Drescher, 2003; Jean Fagan Yellin, 2004; Laurent Dubois, 2005; Rebecca J. Scott, 2006; Christopher Leslie Brown, 2007; Stephanie Smallwood, 2008; Annette Gordon-Reed, 2009; Siddharth Kara, Judith Carney, and Richard N. Rosomoff, 2010; Stephanie McCurry, 2011.

For the detailed press release, click here.

 
 

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New Memoir By A New Yorker Living In Japan Engages Racism In A Refreshing New Way

Nationwide (BlackNews.com) — Here’s a book unlike any other written on the subject of racism by a self-identified black racist. The author, Baye McNeil, is an African American living in Japan for the past decade. His sensational new memoir entitled: Hi! My Name is Loco and I am a Racist, has caught the attention of readers worldwide and has been causing an uproar in Japan since its release in January 2012.

The commotion has not been one of outrage, however. To the contrary, this passionate memoir has been called by readers, “one of the most honest, passionate, engaging and best written books about life in modern Japan for non-Japanese of any race,” and has garnered rave reviews from readers worldwide.

McNeil was born and raised in Bedford-Stuyvesant, Brooklyn, New York where some of his earliest encounters with racism were as a child of the Pan-African / Black Power Movement. As a elementary student at a Progressive Pro-Black Family School in the 70s, between Swahili studies and Black History courses, his school’s hands-on approach to “social studies” often placed him and his classmates, placards in hand, on the frontlines of protest marches, boycotts and demonstrations against everything from police brutality and shootings of unarmed black children in New York to apartheid in South Africa and corporate-sponsored civil war in Angola.

In the early 80s, while Disco was on its deathbed and Hip-Hop was a Rug-Rat in diapers, the author was a teen member of a notorious urban cult which touted black superiority in a volatile community fraught with racial tension, and whose membership rolls held such illustrious names as Rakim, Big Daddy Kane and Poor Righteous Teachers. The author takes readers on a scintillating and informative journey through the heart and soul of America as a US Army soldier, which he characterized as “a propaganda pressure cooker” yet “a brilliant way to address racial ignorance,” and then back to NY for a bout with corporate bigotry as a University student in Brooklyn. It was at University that he experiences something so surprising and soul-rocking that it will racially alter the course of his life forever. At least, he thought so…then came Japan.

Prompted by his mind-altering experiences in the land of the rising sun, McNeil uses anecdotes and insights from both his youth and his years in Asia to highlight the insidious nature of racism, and the dangers of responding to it with apathy. In what the author describes as “an impassioned call to arms,” he urges readers to reconsider how they view racism. He warns that “if racism continues to be demonized as a dark aberration that only ‘evil’ people, ignorant fools, or people lacking common decency are subject to, then it will remain at large, hiding in plain sight, in our schools, offices, carpools, living rooms and sometimes even in the mirror.”

Hi! My Name is Loco and I am a Racist is currently available on Amazon.com, BarnesAndNoble.com and at many other online outlets where books are sold, in both trade paperback and E-book versions.

For more details, contact Hunterfly Road Publishing at loco@himynameisloco.com or visit http://www.himynameisloco.com

 

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Harlem Book Fair 2012: 5 Other Hot New York Destinations

 by Roz Edward

Make it a point to get to the annual Harlem Book Fair 2012, presented by Quarterly Black Review, with panels in the Langston Hughes Auditorium at the Schomburg Center for Research in Black Culture. The HBF offers book readings in the courtyard, and vendors on 135th Street. Don’t miss the teen book talk with author Ellis Cose as part of the Schombrug Center’s The End of Anger Summer Reading Series.

Saturday, July 21 at 10 a.m.

Schomburg Center for Research in Black Culture | The New York Public Library

515 Malcolm X Boulevard | New York, NY 10037 | www.schomburgcenter.org

While you’re soaking up Harlem’s rich culture visit the Studio Museum, the foremost exhibitor of the work of African American artists. The permanent collection contains works by James Van Der Zee, important African and Caribbean artifacts and paintings by post-World War II artists.


144 West 125th Street
New York, New York 10027
(212) 864-4500
www.studiomuseum.org

In Carol’s Daughter flagship location, the whitewashed brick walls, blond wood shelves and subtle fragrance, offer spa-like tranquility. You’ll find the coveted new hair care product Monoi (pronounced muh-noy), the ancient Tahitian ingredient that prevents breakage.

Carol’s Daughter
24 West 125th Street
Harlem, NY 10027
(212) 828-6757
www.carolsdaughter.com

This is Uptown’s sole antiquarian bookshop specializes in local history, African and American: Colonialist and Revolutionary books, art, and ephemera relating to the Morris/Jumel Mansion and its community: Harlem, Washington Heights, African America, Africa, and the Black Atlantic are their specialties.

Jumel Terrace Books
426 West 160th Street
New York, New York 10032
(212) 928-9525
www.jumelterracebooks.com

SWING is a lifestyle boutique offering an eclectic mix and full range of apparel, children’s wear, home decor, beauty products, art, music and lifestyle products. Their ever-evolving inventory features an array of distinctive brands, exclusive and high-end European brands, and an array of hand-selected products from around the world.

SWING
1960 Adam Clayton Powell Jr. Blvd.
(Corner of 118th Street)
Harlem, NY 10026
(212) 222-5802
http://www.swing-nyc.com

The designs by the luxury milliner and hatter is a favorite of infamous editor-at-large and “America’s Next Top Model” judge, André Leon Talley.

Hats by Rachel Rae
featured at the Museum of the City of New York
Museum Shop
1220 Fifth Avenue at 103rd Street
New York, NY 10029
(212) 534-1672
Or by appointment with Rachel Rae: www.itsaraerae.com

 

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The Immortal Life of Henrietta Lacks

Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor black tobacco farmer whose cells—taken without her knowledge in 1951—became one of the most important tools in medicine, vital for developing the polio vaccine, cloning, gene mapping, in vitro fertilization, and more. Henrietta’s cells have been bought and sold by the billions, yet she remains virtually unknown, and her family can’t afford health insurance.

 Soon to be made into an HBO movie by Oprah Winfrey and Alan Ball, this New York Times bestseller takes readers on an extraordinary journey, from the “colored” ward of Johns Hopkins Hospital in the 1950s to stark white laboratories with freezers filled with HeLa cells, from Henrietta’s small, dying hometown of Clover, Virginia, to East Baltimore today, where her children and grandchildren live and struggle with the legacy of her cells. The Immortal Life of Henrietta Lacks tells a riveting story of the collision between ethics, race, and medicine; of scientific discovery and faith healing; and of a daughter consumed with questions about the mother she never knew. It’s a story inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we’re made of. Winner of several awards, including the 2010 Chicago Tribune Heartland Prize for Nonfiction, the 2010 Wellcome Trust Book Prize, and the American Association for the Advancement of Science’s Award for Excellence in Science Writing, the 2011 Audie Award for Best Non-Fiction Audiobook, and a Medical Journalists’ Association Open Book Award, The Immortal Life of Henrietta Lacks was featured on over 60 critics’ best of the year lists.

http://henriettalacksfoundation.org/

 

After 60 years of anonymity, Henrietta Lacks has a headstone

By Denise Watson Batts

(The Virginian-Pilot)

While others bowed their heads Saturday as a minister prayed over Henrietta Lacks’ grave, her oldest son, Lawrence, could only stare at his mother’s new headstone.

He remembered the good and the sad. How cancer took her from him and his siblings in 1951 while they were children in Baltimore. How some of the diseased cells were retrieved from her body without her knowing. How they were cultivated in a lab and have led to medical breakthroughs.

Now the family was finally able to honor his mother with the headstone in her beloved Clover, where she’d rested for decades in an unmarked grave.

“She has done so much for us, her children, everyone else, in so many ways,” Lawrence Lacks said.

For decades, Henrietta Lacks was known in the medical and research community as “HeLa,” the name given to the first human cell line that allowed doctors to see how cells work. Since then, HeLa cells have been used to help find the vaccine for polio and treatments for leukemia, hemophilia and Parkinson’s disease.

Her cells continue to multiply in labs around the globe. HeLa has become a bedrock of medical research. But she was more than that.

Before Saturday’s memorial at the grave site, family, doctors and politicians gathered at Henrietta Lacks’ church, St. Matthew Baptist, to pay tribute to the science, but also to “Hennie,” as she was known here.

She was a friend who had a meal on the stove when people stopped by, and a caring wife and mother who moved her family from Virginia tobacco fields to Baltimore in the 1940s to give them a better life.

Two of her three sons and their children and grandchildren filled the front row and choir box of a packed church. They wore ribbons or shirts that were fire-engine red, the color Hennie used to paint her nails.

David Kroll, chairman of the department of pharmaceutical sciences at North Carolina Central University in Durham, said he wrote a thesis based on her cells.

“I want to talk to the young people in the family now. She is world famous. She is world famous!” he said as many in the crowd rose in applause.

“We talk about Obama, we talk about Franklin Roosevelt, but I’d put Henrietta Lacks up there with any of them.”

Another researcher, (Former Milwaukee resident) Dr. Roland Pattillo with the Morehouse School of Medicine in Atlanta, said that in the 1960s, he’d worked with Dr. George Gey at then-Johns Hopkins Hospital. Gey grew the cells and created the HeLa cell line, looking to find a cure for cancer.

In 1996, when few had heard of Henrietta Lacks, Pattillo began holding conferences in her honor. The recent release of a book, “The Immortal Life of Henrietta Lacks,” has catapulted her name into the spotlight.

Pattillo and his wife (Patricia Pattillo - publisher of MCJ) gave the money to Morehouse to fund Lacks’ headstone. The family gathered money to buy a headstone for their sister, Elsie, who died in 1955, and that stone was dedicated Saturday along with her mother’s.

Patillo quieted the church by recalling another of Henrietta’s daughters, Deborah, who died last year. Deborah had worked with the author of “Immortal Life” to bring long-overdue recognition to her mother. She wanted the family to move beyond years of bewilderment and anger.

Until the 1970s, when researchers contacted them for blood samples in their attempt to figure out why HeLa cells were unique, no one in Henrietta Lacks’ family knew that doctors had taken her cells in 1951 or what scientists were doing with them.

Her children struggled over the years, dealing with the loss of their mom and then boggled by the news of the cells’ existence and that biomedical companies were making millions by growing and selling them.

Many in the family still don’t have health insurance.

Saturday was about closure, about healing, about moving on. Family members bubbled with the news that Oprah Winfrey plans to team up with HBO to produce a movie about their Hennie.

Lawrence Lacks, who for years would not talk about his mother, said he’s finally able to open up a bit about her. He wants to start a foundation to help cancer patients.

He knew how painful her death was. He remembers watching her struggle through the radiation treatments, which turned her honey-brown skin black around her stomach.

But now, he said, he believes it was all part of God’s plan.

 
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Posted by on July 12, 2012 in African American Books

 

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Monster Kody: an interview wit’ author Sanyika Shakur

by Minister of Information JR

Sanyika wrote this note on the back of the photo: “I was considerably younger here, but I doubt if I’ve changed much since. Being preserved here in this can.”

The first book that I read on my book list after I decided to consciously educate myself to be a part of the movement was Sanyika Shakur’s “Monster” in the mid-‘90s. I related to the book, not because I come from street-tribal society of Los Angeles, but because a lot of what he wrote about reminded me of my memories and what I heard about Oakland in the ‘80s.A year or two later, reading through a rap magazine, I saw Sanyika’s columns, which turned out to be monthly. I was inspired by the sharpness of his ideas, his vocabulary and his grasp on history. I respected the reason he was writing, in the same way that I respected the intellect of Tupac Shakur, another thinker from my generation. I knew that one day I wanted to be able express myself as articulately as the two of them.

It was an honor for me to get a letter from Sanyika Shakur over the summer of ‘11 and be able to do this interview with a souljah in this struggle that I highly respect and that I had gained from without ever meeting.

M.O.I. JR: When you were in the streets gang bangin’, what brought you into political consciousness?

Sanyika Shakur: Well, first of all, before I even go into answering that, I want to give a clenched fisted salute to you as the minister of information (formerly) for the Prisoners of Conscience Committee. You are doing a beautiful job of getting the requisite information out to the people in order to raise consciousness. We all appreciate your work, Brotha.

Yeah, well, when I was a criminal movin’ with the street organization, I had a nascent overstanding about us being essentially one people. I didn’t overstand “nation” then, but I overstood that we were a distinct people. See, I started bangin’ in the mid ‘70s, so the vapors or the residue of the Black Liberation Movement were still palpable. There was still a consciousness there, dig?

And I’m not trying to romanticize it or anything, but we thought we were like the Panthers; I mean that in the sense that we were outlaws. And again, I’m speaking of having a real rudimentary overstanding of politics, as perceived from the mentality of an adolescent.

I’m not trying to romanticize it or anything, but we thought we were like the Panthers; I mean that in the sense that we were outlaws.

I was 11 when I was sponsored in. To me, it was a “Black organization,” dig? And we were armed. Of course we, unlike the Panthers, were criminals and parasites. Though as a youth, not knowing the particulars, it wasn’t no difference.

We were in what George called the “riot stage” of rebellion. Our resistance was lateral within our own class and nation, as opposed to vertically, up against the oppression that held us down. In this way – well, because our activity was detrimental to ourselves, our community and nation – we were allowed to prosper and in some cases encouraged by the pigs. Consciousness, real, political and revolutionary consciousness, came to me much later and in increments over a span of years.

M.O.I. JR: What were some of the books you studied?

Sanyika: When I first came to the kamps in 1985, I couldn’t really read, perhaps on a fifth grade level. I had no real comprehension. And certainly I couldn’t write. See, I need to explain this: In the subculture of bangin’, it wasn’t about being literate or articulate, and it wasn’t about books or academia. It was about action – war – about being physical and macho, dig?

So once I found myself in the hole at San Quentin in 1986, I was stuck because here I was this OG dude, you know, with major street clout and a growing prison rep, but I couldn’t read, comprehend or write. So I had to face that, had to confront that, and either go around, you know, or deny it. Or challenge it and resolve it.

And luckily for me, I had cats around me who were interested in growth and development, on an intellectual level. Oh, don’t get me wrong, I tried to buffalo my way through at first. I tried to fake it, but the Brothas wasn’t letting me off the hook that easy.

So, once I got my reading and comprehension up to par, I started reading what was on the tier – books that were in circulation. I had no funds to order my own books, so I had to read what was available. This was the staple material – “Soledad Brothers,” “Blood in My Eye,” “Wretched of the Earth” – and there was the Burning Spear newspaper of the African Socialist Party.

Once I got my reading and comprehension up to par, I started reading what was on the tier – “Soledad Brothers,” “Blood in My Eye,” “Wretched of the Earth.”

But let me say this, I didn’t really know how to study at that time. I was reading the material and emotionally attaching myself to what I could overstand. I hadn’t yet fully overstood the extent to which I’d need to go in order to transform my criminal, colonial mentality into a revolutionary mentality, dig? That’s a serious point there, because without knowing the extent to which you are contaminated by criminality and colonialism, one will not overstand the extent of struggle required to cleanse, dig?

At that stage, in ‘86 in San Quentin, I just thought revolution was physical violence. I thought we’d only need to gather enough people together in order to get free. I had an ill notion about what we were trying to get free from, and, further, to get free to? That is, I didn’t truly overstand capitalism, imperialism or colonialism. Nor did I overstand self-determination or socialism. I thought we were fighting against racism. I didn’t begin to overstand what was really going on until I learned how to study and then attained the material that corresponded with my reality.

M.O.I. JR: What does being New Afrikan mean to you, and why did you choose this ideology?

Sanyika: This answer flows right from the point I was just making about how to study and then having the corresponding material available to make coherent sense of what one has and is experiencing. See, one thing about colonialism as a method of control and exploitation, it is dynamic and flexible. That is, it is capable of morphing, melding and adapting to most any circumstance. It has to, in order to continue to exist. This has baffled us for years and has allowed our enemies to escape time and time again, as we stumbled blindly around trying to make sense of it. And no sooner do we learn its current shape and form, does it shape shift again and continue on.

Well, when I got to San Quentin in January of ‘86, on the tier was study material from the Black Liberation Movement (BLM), a lot of material from the Black Panther Party, the African People’s Party, the African People’s Socialist Party etc. And as I said, I read it all.

But you see, that material had been written at a particular time to deal with a particular set of circumstances, you dig? The BLM had just caught up to how the enemy had morphed his set of methods on our control from old colonialism – slavery, Jim Crow – to neo-colonialism – civil rights, integration. And of course, this neo-colonialism was being rejected for Black Power – self-determination – by the youthful revolutionaries of that time. These youth were those who brought into existence the organizations I mentioned above.

They identified more with Malcolm and Black Power than with Martin and Negro Civil Rights. Cats were pushing a Nationalist line, recognizing, if only rudimentarily, that we were more of a nation inside of this empire than a disenfranchised “minority” of citizens of the empire. One can’t be disenfranchised, if you’ve never been enfranchised, feel me?

Youth identified more with Malcolm and Black Power than with Martin and Negro Civil Rights, recognizing that we were more of a nation inside of this empire than a disenfranchised “minority” of citizens of the empire. One can’t be disenfranchised, if you’ve never been enfranchised, feel me?

So the empire, the capitalist-imperialist, was yet again morphing to live by implementing a neo-colonial system of Civil Rights and integration, and the Black Liberation Movement rejected that. And the material it printed to agitate, educate and organize clearly reflected this rejection of colonialism and neo-colonialism. Well, that’s what I was turned on to when I hit the tier. However this was ‘86, and by then the BLM as a whole had been defeated.

Black Power had been turned into Black capitalism; so-called Black nationalism had been twisted into Black community control and other watered down appendages. And yet here we were reading and studying the same material used to combat a particular stage in our continual struggle and trying to apply it in a time that was not appropriate to its science. In other words, we overstood that we were still oppressed – but we were attempting to use outdated tools that no longer corresponded to the circumstances to get free.

We found ourselves stumbling blindly around the issues. We’d not taken into account the dynamism of our enemy’s ability to morph . So I’m reading all the material, but I wasn’t getting well. It wasn’t cleansing me. It wasn’t washing my eyes, my mind of colonialism. I could quote George, Robert Williams, Huey and Malcolm, but I couldn’t make coherent sense of ‘86 Amerika. So I became frustrated and I began to study for new tools to fight with.

This led me to the Black Liberation Army Coordinating Committee (BLA-CC). I got in touch with Sundiata Acoli, who in turn sent me to Owusu Yaki Yakubu, who was using the pseudonym Atiba Shanna at that time, and he began to send me the New Afrikan ideological material and things just cleaned up. What the comrades in the BLA-CC had done was go back and reformulate, rebuild and reboot all the theories of the failed BLM and tie them together in a current ideo-theoretical line that corresponded perfectly to what was happening and what happened and what we should do for the future.

And they did this in “Notes from a New Afrikan POW Journal” (Books 1-7), “False Nationalism – False Internationalism” by E. Tani and Kai Sera, “Vita Wa Watu: a New Afrikan Theoretical Journal” (Books 8-12), “Settlers: Mythology of the White Proletariat” by J. Sakai. And finally through “Crossroad: A New Afrikan Captured Combatant Newsletter.”

So once the ‘rads in the Army sent me this material, I could for the first time really feel the reality of our situation. And these were cats who had been on the frontlines of the BLM – in its armed formations – cats who were righteous revolutionaries. And too, I began to look at all the others who’d accepted the New Afrikan ideology – practically all of the POWs: Kuwasi Balagoon, Jalil Muntaquim, Sekou Odinga, Abdul Shanna, Sundiata Acoli etc. etc. etc. So that was it for me. I dug into the ideological formation, overstood it and pressed on, in concert with those who’d proved themselves worthy in countless battles with the beast.

To be New Afrikan is to recognize that you are a member of a distinct culture, that you are a citizen of a nation unto itself in the belly of the beast. It is a determination to exert this national reality, build a strong state (government) around it and struggle against the forces which oppress it in order to get free. And free here means free to determine our own destiny, free to develop our own productive forces to meet our needs as a nation, free to be ourselves for our own benefit and of course free of mind-warping genocidal violence perpetrated against our nationals from the cradle to the grave. This entails being free from capitalism, imperialism and colonialism.

To be a New Afrikan is to be guided by the New Afrikan Declaration of Independence, the New Afrikan Creed, and the Code of Umoja and the Nguzo Saba. It is to have allegiance to the Provisional Government of the Republic of New Afrika and to struggle to establish our sovereignty beyond contradiction. It’s revolutionary nationalism.

M.O.I. JR: How successful was the Pelican Bay hunger strike?

Sanyika: Well, it was very successful in that it swung the spotlight this way and illuminated the draconian reality of our situation. In that sense it was very successful, more so than we had anticipated it would be. Of course, 12 years before the U.S. government opened Guantanamo Bay for so-called enemy combatants, California opened Pelican Bay for “threats to institutional security.” No charges, no rules, violations, no crimes – all politics. We’ve been shouting from under here since 1989.

Twelve years before the U.S. government opened Guantanamo Bay for so-called enemy combatants, California opened Pelican Bay for “threats to institutional security.” No charges, no rules, violations, no crimes – all politics. We’ve been shouting from under here since 1989.

We had a small hunger strike in 2001, but it wasn’t well coordinated; however, it caught some attention. This one, however, has brought greater attention and some indignation. Our demands are not irrational. We are only wishing, rather demanding, to be treated as human beings. We want those rights accorded to humans, but the system of imperialism cannot allow this. It cannot relent, because then who’d be the “boogey-man”?

How would they then justify all of this concrete and steel erected in this sleepy little logger town? We know that they are not going to put the citizens in here, not to any real degree anyway. these kamps are for nationals of internal colonies: New Afrika, Aztlan, Puerto Rico, Hawaii, Indigenous Nations, and those very few outlaws and anti-imperialists from their own empire.

That notwithstanding, we feel that the hunger strike brought some needed attention to this kamp. Of course we are trying to set up the groundwork for a new Prison Movement, since so many of us are here.

M.O.I. JR: Can you talk about your daily routine in Pelican Bay?

Sanyika: The thing about being a prisoner – whether in a solitary situation like this or a mainline situation – is you either do the time or the time will do you. And what I mean by that is if a day goes by and you haven’t learned nothing – a new word, a new location on the map, made a new breakthrough in old thinking or thought of and put into practice new ways of realizing it – then by and large you have wasted a day. If you sit around and get hypnotized by the TV, sports or gossip about who’s gonna get kicked off of “Big Brother” or, as Gil Scott Heron said, “If Dick finally got down with Jane on Search For Tomorrow,” then time is doing you. That’s my motto.

So what I do is mind, body and spirit work all day. Study and struggle. I’m only allowed 10 books at a time. So I make them 10 count. Right now I’m working with “Meditiations on Frantz Fanon’s Wretched of the Earth”, by Yaki Yakubu, “Pacifism as Pathology” by Ward Churchill, “Block Reportin’” by you, “Our Enemies in Blue” by Kristian Williams, “Re-Thinking New Orleans” by Butch Lee and J. Sakai, “Lockdown America” by Christian Parenti, “We Are Our Own Liberators” by Jalil Muntaqim, “Settlers” by J. Sakai, and a host of periodicals and loose papers.

So with me it’s ideological, theoretical and philosophical studies. As a theoretician, my thing is the mechanics of struggle. We are looking for ways of struggle that correspond to our particular set of circumstances. We are now in a post neo-colonial era. With this sock puppet Obama up there, it’s a new day of the system morphing. We gotta keep up. It’s no longer “Uncle Tom preachers”; it’s Uncle Tom Supreme Kourt justices and Uncle Tom presidents, you dig?

So this cage is my classroom, my gym, my struggle chamber. I gotta be ready for my next and upcoming encounter with the beast. Study, write, exercise, think. That’s my routine, all day every day. I gotta be better than I was before, better than our enemies. I’m very intent on making this time in this terrible place work for us and our national liberation struggle. And I can’t help but want to make our enemies sorry for ever having treated any of us this way. I’m driven by both love and hate. It’s dialetical.

I gotta be better than I was before, better than our enemies. I’m very intent on making this time in this terrible place work for us and our national liberation struggle.

M.O.I. JR: Can you tell us a little bit about the case you are locked up on now?

Sanyika: In 2006, I was put on the FBI’s Most Wanted list, the LAPD’s Top Ten Most Wanted List, and became a fugitive with a $50,000 bounty on my head. Of course, I was never “on the run.” Never ran. In fact, a few times I went looking for them.

A guy who was supposed to be about something was physically disciplined for transgressions in the area, and he defected to the Amerikan Security Forces instead of correcting his behavior. This was an opportunity they’d been waiting for, and so they said I beat this guy up and took his car. And here’s the thing: Well, once I’d been captured by a joint effort of U.S. marshals, FBI and LAPD, this guy recanted his story and said he’d lied, and this and that. But by then the die had been cast. They spent $50,000 on paying an informant to tip them off, and I spent $50,000 on attorney fees to avoid a life term.

They brought in special attorneys for the prosecution and came with all kinds of propaganda and what have you. And we deflected all of that. I ended up with six years with 85 percent for carjacking, even though the guy recanted and two others were actually caught in the car and no one could corroborate his story. I was sent straight back here to the Bay. I’ve been validated with an indeterminate SHU term since 1989. As it stands, I am due out in 2012.

M.O.I. JR: What do you think about the state killing Tookie and the reason they gave?

Sanyika: I had the very fortunate lot of knowing Tookie personally. We lived on the same street in South Central. His old hood became my hood when my set started. I loved him. The state, we have to keep in mind, is a representative of the government. The U.S. government is the tool used by the ruling class to administer its business, America Inc.

Overstanding it this way, we can see clearly that Tookie, like Tupac, like Eazy E, like George Jackson, like Malcolm and Martin and countless others, was “bad for business.” These killings, public and obvious as they are, serve as psychological demonstrations to keep the masses traumatized against struggle. These killings are used as shocks and strains on the mass psychology of the people, and that’s on the national level.

Tookie, like Tupac, like Eazy E, like George Jackson, like Malcolm and Martin and countless others, was “bad for business.” These killings, public and obvious as they are, serve as psychological demonstrations to keep the masses traumatized against struggle.

On the local level, there’s other means and ways, as with Oscar Grant, Devin Brown, Tyisha Miller etc. These they don’t necessarily think will be national; they serve as local shocks and strains. It’s a genocidal tactic utilized by law enforcement to keep the Natives in line. Street organizations are allowed to function in certain areas, based on the same principal and strategy. Lateral warfare has always served the system. With Tookie, it was a national message, and it’s a testament to the weakness of our forces that we allow such blatant acts of murder to happen to our nationals.

They, according to their own pathology, had to murder Tookie. He’d transformed himself into a formidable opponent of oppression, this on top of already being a stalwart street combatant and a leader. The beast couldn’t afford to let him live. What I can say though is that he died well – head up, chest out, glaring menacingly at the enemies – no crying or wringing of the hands in sorrowful gestures. No, it’s like Che said, “Go on, cowards. You’ll only be killing a man.”

M.O.I. JR: What role does the Prison Movement play in the overall people’s movement in your analysis?

Sanyika: It’s the same as George said, the same as Sundiata Acoli posited, and the same as Owusu Yaki Yakubu pointed out: The Prison Movement must serve as a relevant part of the overall National Independence Movement by utilizing its capacity to teach, research, develop and produce able minded cadres for struggle. Some comrades have life or lengthy prison sentences and may not get out unless we liberate them, so their thing is prison reform work for better living conditions inside the kamps – though this is secondary to study and struggle around the picking, developing, maintenance and moving of cadres in concert with the overall National Liberation Struggle.

Prisoners and the Prison Movement will play just as important a role as students, workers and the military. It is just one more place we find ourselves that needs agitating, education and organization. In order to rebuild our organizations and our movement, we’ll need competent cadres – professional revolutionaries – that can handle the tasks at hand. Cadres will come from all sectors of our nation and all classes. Prisoners will invariably fall into this, simply because it is the nature of the beast to capture and imprison us to the degree it does. Again, it’s dialectical.

M.O.I. JR: What should be done to bring street and prison organizations closer together so they can support one another?

Sanyika: When I first was captured, as I said, there were still remnants of the old Black Liberation Movement around – largely publications, periodicals, books etc. as well as these invited letters, communications and exchanges of ideas from inside and out.

But you see, the old Prison Movement was a reflection of the movement at large. That is, those who’d been captured came from organizations and formations on the street: the Black Panther Party, the Black Liberation Army, the African People’s Party, the Nation of Islam etc. etc. They in turn contributed to the development of the Prison Movement. When the Black Liberation Movement, however, was defeated, collapsing first from its own weaknesses and then from the weight of the state’s blows – COINTELPRO, counter-insurgency etc. – the Prison Movement, too, collapsed.

With the death of Comrade George and then the Attica Massacres, the death knell was sounded across the empire. The thing is we are re-building now, but it’s going to take communication, patience and honest, genuine struggle around issues of grave importance. The most fundamental things are ideology, theory and philosophy. These are weaknesses that allowed for our enemies to get in on us last time.

The old Prison Movement came from organizations and formations on the street: the Black Panther Party, the Black Liberation Army, the African People’s Party, the Nation of Islam etc. When the Black Liberation Movement, however, was defeated, the Prison Movement, too, collapsed. We are re-building now.

See, it’s like this: Who are we – New Afrikans, Blacks, African-Americans? This is ideology. How do we get free – liberate our own nation from the U.S., integrate into a multicultural empire of Amerika or go back to Afrika? This is theory. What tools do we use to get free? Do we rely on the metaphysical, believing that some god is going to help us, do we use the theories given to us by our enemies or do we use dialectical materialism? This is philosophy. We have to struggle around these in order to rebuild our organizations and movement, so we’ll be on one accord.

M.O.I. JR: Lil’ Bunchy (Dhanifu) is facing Three Strikes. Do you think that the government targets conscious street leaders and why?

Sanyika: Again, like Tookie, I have the pleasure to know Dhanifu personally – a beautiful Brother and a fierce opponent to oppression. The oppressor has the luxury of having a long memory, of being able to strategize far into the future, to project, you dig? And unlike us, who have to contend with day to day struggles, the beast is on some future-of-the-empire stuff.

So when opportunities present themselves, such as with Dhanifu and this weapons charge, the enemy will swoop in and take full advantage of any given situation. It is the essence of their power over us. We cannot afford to sleep, slip or stumble. We have to be on all of the time. The beast is on all of the time. Ain’t no off switch on national oppression ever.

That is, until the people turn it off. We have to believe our own spiel, that the beast is merciless and will go to any length to eradicate our resistance so it won’t develop into a revolution. The beast is trying to protect its way of life. If that means murkin’, capturing and torturing all of us, then that is what it will do. In closing, anyone who has the vaguest notions about the length the American ruling class will go to maintain dominance or to answer your question about targeting conscious leaders should read “The FBI War on Tupac Shakur and Black Leaders” by John Potash. That’s the answer and the ample proof. In closing, I’d like to say we appreciated all the support for our hunger strike and all the work you and Comrade Fred Hampton Jr. do. Rebuild!

The People’s Minister of Information JR is associate editor of the Bay View, author of “Block Reportin’” and filmmaker of “Operation Small Axe” and “Block Reportin’ 101,” available, along with many more interviews, atwww.blockreportradio.com. He also hosts two weekly shows on KPFA 94.1 FM and kpfa.org: The Morning Mix every Wednesday, 8-9 a.m., and The Block Report every Friday night-Saturday morning, midnight-2 a.m. He can be reached at blockreportradio@gmail.com.

Send our brother some love and light: Kody Scott (Sanyika Shakur), D-07829, PBSP SHU C7-112, P.O. Box 7500, Crescent City CA 95532.

 

 

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Author Imafi explores the complex lives of two young women who fall in love, against the wishes of their prominent Newport News church families in ‘Family Affairs’

(PR NewsChannel) 

NEWPORT NEWS, Va. — In “Family Affairs” (ISBN 1466458062), Imafi narrates a family saga that spans two continents and a tender relationship between two women that challenges both their families.

The novel begins in the early childhood years of Samoa Shackles and Alice Riodiaz. Even as grade school friends, the two realize they have a passionate bond that will only evolve as they move through adolescence and early adulthood. Both women have parents who have influential statuses within their community and would have a difficult time coming to terms with what the two girls have already accepted.

Samoa traces her roots to Ghana. While her father, Pastor Shackles, was conducting a humanitarian mission in Kumasi, Ghana, he met his wife, Florence. In grade school, Samoa realized her unique bond with Alice, the daughter of Dr. Precious Riodiaz Dansford, the church’s music director. As young women, they attempt to push aside their same-sex attractions in the name of preserving their families’ church reputations. When the girls’ relationship eventually comes to light, both families must come to grips with their daughters’ homosexuality.

The family turbulence almost derails Samoa and Alice’s relationship. This is further complicated when Alice is raped by her college professor. As the story progresses, both educated families will be rocked by scandals concerning betrayal, suicide and unplanned pregnancies. Over time, they will draw on the resources of their faith and their African culture to sustain them.

A gripping mixture of romance and erotica, tradition and tolerance, this family saga shows just how far acceptance and respect can go in keeping love alive. A story of family love, forgiveness and perseverance, “Family Affairs” is a fully realized novel of a relationship whose true affection transcends race, religion and gender.

“Family Affairs” is available for sale online at Amazon.com and other channels.

About the Author: Imafi was born in Nigeria. He earned a bachelor’s in accounting from Norfolk State University and a master’s in business administration from the College of William and Mary. Imafi is a certified public accountant and runs his own accounting practice in Hampton, Va. This is his first novel.

 

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Creating a Generation of Readers

by Laysha Ward

Across the country, some lucky students just learned that their school’s library was selected by Target for a School Library Makeover. At 32 different schools, students will see their libraries renovated, updated, and outfitted with new computers, iPads, and thousands of new books.

The students will be excited, of course, thanks to the new technology and new books. But they’ll also be hopeful and proud — as the upgraded library will demonstrate that the community is committed to investing in their success.

These upgrades are part of a larger effort by Target to invest $1 billion for education by the end of 2015. The School Library Makeover program will help improve reading proficiency by transforming libraries at 32 elementary schools around the country which serve predominantly low-income students.

It’s a small but much needed step to help turn the tide against a growing crisis in our nation’s education system.

At a time when the economy continues to shift towards knowledge-based jobs, and when reading skills have never been more important, the country is often failing to give children the skills they need to succeed. Young people will be seeking jobs in a market where 75 percent of openings require not just a high school diploma, but also some post-secondary education.

Recent studies have found that developing reading skills early on has a significant impact on future educational success. Third grade, it turns out, is a critical juncture when it comes to reading. That’s when children shift from learning to read to reading to learn.

And students who can read at grade level when they start the fourth grade are far more likely to graduate from high school than those who can’t, according to research sponsored by the Annie E. Casey Foundation. In fact, children who lack basic reading skills by the fourth grade are about four times more likely to fail to get a high school diploma than those who are proficient readers.

Despite the high stakes, an alarming number of fourth graders can’t read at grade level. According to the Department of Education, just 34 percent of fourth graders rank as proficient readers. Among low-income students, that number is an even more distressing 27 percent.

Is it any wonder that one in four children doesn’t graduate from high school on time, if ever? The odds are even worse for Hispanic and African American students, with 40 percent failing to get a diploma.

One of the best ways to give these students a chance is to help them become successful readers. School libraries provide students with the books, resources, and mentors they need to succeed.

In Florida, for example, elementary schools that had library programs staffed 60 hours a week or more showed a 9 percent improvement in test scores compared to those staffed less than 60 hours. A study of Alaska schools found that students in schools with full-time librarians scored higher on standardized achievement tests than those with part-time or no librarians.

Unfortunately, school libraries are increasingly targeted for budget cuts. Overall, school library budgets have fallen since 2009. And cutbacks tend to be more severe at schools serving high-poverty areas. Local and state officials must make literacy programs a high priority in budget plans and strategies.

Against this backdrop, programs like Target’s can help schools overcome difficult fiscal times — and get students reading during those critical early years. The makeovers leverage the pro bono work of Target’s design and construction teams, along with the support of thousands of Target team member volunteers. And it happens with a partnership from The Heart of America Foundation.

In each school selected for a library makeover, Target has also partnered with Feeding America to create a “Meals for Minds” food pantry, which helps children concentrate and perform better in school by providing much-needed nourishment. The students also take home seven books of their own, as studies have demonstrated that reading at home has a dramatic impact on educational success.

But as much as the new libraries complement the physical classroom, the country’s education crisis won’t be solved until everyone at every level – including parents, school administrators, local, state and federal government officials, and other caring adults – recognizes that future generations deserve the resources needed to improve reading skills when it really counts.

Now that we know where to focus our efforts, the time for collective action is now. Today’s students deserve nothing less.

Laysha Ward is president of community relations for Target Corporation

 

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Amiri Baraka – Founding Father of Black Arts Movement – to Highlight Leimert Park Book Fair

amiri baraka

Amiri Baraka

*(Los Angeles, CA) -  Often referred to as the “ founding father of the Black Arts Movement,” Amiri Baraka is as committed now as ever.

And, as a result of his consistent life-long commitment and dedication to documenting the African American experience in the United States, Mr. Baraka will be the featured artist during the 6th Annual Leimert Park Village Book Fair, “Tribute to the Black Arts Movement” beginning at 10 a.m., Saturday, June 30, 2012 on the Vision Theatre parking lot at Degnan Blvd. and 43rd Street, Los Angeles.

Considered one of the most important times in African American literature and art, the Black Arts Movement (BAM) reflected the intensity of the Black Liberation Movement, which started after the February 21, 1965 murder of Malcolm X and went through the mid 1970s, according to Mr. Baraka.

“After Malcolm X was assassinated we came to believe there really was a war against Black people and not just the work of some disconnected racist white folk,” he explained.  Malcolm’s assassination “drove us from Greenwich Village to Harlem.”

Already established as an influential poet, writer, activist, Mr. Baraka had significant work published in the early 1960s including his first volume of poetry, Preface to a Twenty-Volume Suicide Note in 1961; his seminal work on Afro-American music and culture, Blues People: Negro Music in White America in 1963 and, his Obie Award winning play, Dutchman in 1964.

In 1965 Harlem, Mr. Baraka founded the Black Arts Repertory Theatre/School (BARTS) with like-minded artists including Larry Neal and Askia Toure’ among others.

For the better part of a year they sent five trucks a day into the Harlem community promoting art shows, poetry readings, music, graphic illustrations and drama on vacant lots, playgrounds and in housing projects.

“The Black Arts Movement was inspired by what Malcolm X talked about,” Mr. Baraka commented.  Another of his influential poems, “Black Art,” confirmed Malcolm X’s philosophy with language “we want poems that kill,” in a time that also boasted slogans like “Arm yourself or harm yourself,” and a favorite from the Black Panther Party for Self Defense, “Off the pigs.”

In fact, he credits one of his 1967 poems, “Black People,” for causing the “first time I got in trouble.”  Mr. Baraka says he was arrested and sentenced for “possession of two guns and a poem.”  That poem, considered more lethal than the guns, netted him a three-year sentence, which was overturned after he spent less than a week in jail.

The “second” issue of trouble surrounded his penning “Somebody Blew Up America,” after the bombing of the New York World Trade Center in 2001.

“I could see the World Trade Center from the third floor of my house in Newark, New Jersey,” he offered.  “We were particularly frightened by (then) President Bush’s statement that terrorists had blown up the World Trade Center because they hated us and our democracy.  All I could think of was that the (Ku Klux) Klan was the terrorism that we knew and that Afro-Americans had gotten to this country through terrorism.”

After reading the poem at a local festival, Mr. Baraka was stripped of his recent honor as New Jersey’s Poet Laureate and the $10,000 stipend that went with it.  He continues as Poet Laureate of the Newark Public Schools.

In between, Mr. Baraka has served with National Black Assembly; Black Radical Congress; The Congress of Afrikan People;  created numerous artistic expression spaces with his wife, Amina; and as Professor of Africana Studies at the State University of New York.  His latest offering, “RAZOR: Revolutionary Art for Cultural Revolution,” recently was published by Third World Press in Chicago.

“As a poet and political activist, I thought it silly to exclude my politics from my poetry,” Mr. Baraka explains.  “”If you choose to tell the truth, you have to accept what goes with it.  Then, you have to carry it on.”

For aspiring artists he advises, “Know that you’re not going to be rich and that you’re going to be attacked for telling the truth, especially if it’s against corruption.”

“Know that what you say is going to come back at you,” he added.  “It’s like being a soldier.”

Mr. Baraka will open the Leimert Park Village Book Fair (LPVBF) on the main stage at 10 a.m., participate in a panel on the Black Arts Movement with Pan African Film Fest’s Ayuko Babu and renowned poet Sonia Sanchez at 1 p.m., and perform poetry on the main stage in a special tribute to Gwendolyn Brooks at 3 p.m.

“We couldn’t be more excited about Mr. Baraka’s participation,” exclaimed LPVBF founder, Cynthia Exum.  “His confirmation to participate adds significantly to our already stellar line up.”

About Leimert Park Village Book Fair
LPVBF is a non-profit 501 © (3) organization whose mission is to promote, encourage and advocate literacy, education and the love of reading throughout the Greater Los Angeles area.

LPVBF is produced by Exum and Associates in partnership with LA. City 8th District Councilmember Bernard C. Parks.  Bernard and Shirley Kinsey are co-chairs.  The LPVBF also is supported by public partners Supervisor Mark Ridley-Thomas, 2nd District; the City of Los Angeles; the Los Angeles Department of Cultural Affairs; the Bernard and Shirley Kinsey Foundation; Community Build, Inc.; and the Leimert Park Village Merchant’s Association.  Sponsors include Baldwin Hills Crenshaw Plaza, Capri Capital Partners, Nestle U.S.A., Inc., Sempra Energy, KPFK 90.7 FM radio, Xerox, Pepperdine University Graziadio School of Business an Management, Time Warner Cable, KABC-TV Channel 7, and United Parcel Service (UPS).

 

 

 

source:
Rae Jones
Raediant Communications
raediantcommunications@hotmail.com

 

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Book Review; Thanks Dad! (A new and exciting children’s book.)

(ThyBlackMan.com) ARPG Publishing is proud to introduce Stanley G. Buford and his new book: Thanks Dad!  The quality of the writing, the unique experiences of the author, and the national demand for well-developed; Children’s Books on child-rearing and education merit the serious consideration of traditional publishers.

Thanks Dad! Is a book written for children, by a teacher from a parent’s perspective.  The work was even promoted nationally by way of radio, online and other electronic media.

In the book, Buford provides various sides of the influence of a father on a child’s growth and development.  He discusses how father’ should be involved in their children’s intellectual growth both before and during their school  years; he then shows educational support staff members, such as teachers and administrators, via inference through his characters, Tee and Kay, why fathers must be included in decision-making processes in the most non-threatening way: opportunities that say, “Thanks Dad!

Stanley G. Buford uses his twenty years of teaching experience as well as his past roles in business and organization management to create a fantastic children’s book for both parents and teachers that shows how it does, in fact, take a village to raise a child, and multiple sources to fully and successfully educate him or her.  Buford is the former Program Director for the School Partnerships Program, a school improvement project sponsored by DePaul University in Chicago, Illinois, and was also a frequent guest speaker on METV’s The Homework Show.

He was a member of the cast of the recently released film “Of Boys and Men” starring Angela Bassett and Robert Townsend. Stanley is a freelance writer for the North Lawndale Community News; a contributing writer for the popular national online publication Mybrotha.com and is a Staff Writer for the renowned publication: Thyblackman.com

President Barack Obama remarked “Thank you for your interesting book on parenting,” in reference to his last work: Not All Teachers Are Parents, But All Parents Are Teachers!

Purchase book here; http://www.amazon.com/Thanks-Dad-Stanley-G-Buford/dp/1612860893/ref=sr_1_1?ie=UTF8&qid=1339172515&sr=8-1

 

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“Black Music Month” Book Notes: A Breakdown of the Latest Urban Reads

by Biba Adams

Rick James

It’s the most wonderful time of the year! No, not Christmas, it’s Black Music Month! Since its establishment in 1979, television channels, corporations, and consumers have acknowledged the contributions of African-Americans to the cultural landscape of this country through song.

There are any numbers of books that provide rich histories of music genres, as well as books that serve as great autobiographies of musical artists. This month, as AllHipHop.com celebrates Black Music Month, we want to share with you some of our Black Music book picks:

The Music of Black Americans (A History) by Eileen Southern
Nearing its 15th anniversary, and in its third printing, The Music of Black Americans (A History), weaves a fascinating narrative of intense musical activity. Singers, players, and composers, Black American musicians are fully chronicled in this landmark book. Beginning with the arrival of the first Africans in the English colonies, the author added a wealth of material covering the latest developments in gospel, blues, jazz, classical, crossover, Broadway, and rap as they relate to African American music.

Motown: Music, Money, Sex, and Power by Gerald Posner
Set against the Civil Rights movement, the decay of America’s Northern industrial cities, and the social upheaval of the 1960s,Motown is a tale of the incredible entrepreneurship of Berry Gordy. But it also features the moving stories of kids from Detroit’s inner-city projects who achieved remarkable success and then, in many cases, found themselves fighting the demons that so often come with stardom—drugs, jealousy, sexual indulgence, greed, and uncontrollable ambition. Motown features an extraordinary cast of characters, including Diana Ross, Michael Jackson, Marvin Gaye, Smokey Robinson, and Stevie Wonder. They are presented as they lived and worked: a clan of friends, lovers, competitors, and sometimes vicious foes.

Jazz by Gary Giddins and Scott Deveaux
Emphasizing its African American roots, Jazz traces the history of the music over the last hundred years. They explain what jazz is, where it came from, and who created it and why, all within the broader context of American life and culture. Jazz describes the travails and triumphs of musical innovators struggling for work, respect, and cultural acceptance set against the backdrop of American history, commerce, and politics.

The History of the Blues: The Roots, The Music, The People by Francis Davis
A groundbreaking rethinking of the blues, The History of the Bluesfearlessly examines how race relations have altered perceptions of the music. Tracing its origins from the Mississippi Delta to its amplification in Chicago right after World War II, Davis argues for an examination of the blues in its own right, not just as a precursor to jazz and rock ‘n roll.

Memoirs of a Super Freak by Rick James
There are autobiographies, and then there are books about a person that totally transform how you see them and builds the respect you have for them. Memoirs of a Super Freak is the latter. Written while James was incarcerated, this autobiography is a trip inside his creative and amusingly twisted mind. The book chronicles James early life, his musical career and achievements, his eventual unraveling, and his return to popularity shortly before his death.

Room Full of Mirrors: A Biography of Jimi Hendrix by Charles Cross
There are many books on this iconic guitar player – this is considered one of the best unlocking the mystery of who Hendrix was. From his difficult childhood and adolescence in Seattle, through his incredible rise to celebrity in London’s swinging ’60s, it is the story of an outrageous life – with legendary tales of sex, drugs, and excess, while it also reveals a man who struggled to accept his role as idol and who privately craved the kind of normal family life he never had. The book showcases never-before-seen documents and private letters, and is based on hundreds of interviews with those who knew Hendrix – many of whom had never before agreed to be interviewed.

Songs in the Key of My Life: A Memoir by Ferentz LaFargue
Songs in the Key of My Life is the book that we all would want to write, but LaFargue definitely beat us to it. Chronicling life experiences and interpreting them through some of his favorite songs, this book, andThe Message by Felicia Pride are books that remind us how significant music can be in one’s life. LaFargue invites readers into his life via his playlist, and the trip is a good one.

 

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