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Category Archives: African American Television

Future Cloudy for African-Americans in Mainstream Media

Soledad O'Brien

Michael Baisden, Roland Martin, Soledad O’Brien and Constance White have all either been fired or stepped down from their respective positions in the communications field. With their departures, the future of African-Americans in mainstream media is uncertain.

Michael Baisden announced via Twitter on Wednesday and Facebook Thursday that “The Michael Baisden Show,” his nationally syndicated radio show, was canceled. He stated, “We were unable to reach an agreement with our syndication partner Cumulus Media. This was not a hostile situation; sometimes parties have different ideas and visions about how to move forward.”

The show, which ran for 10 years, will air reruns until March 29. Baisden also stated,   “We may not have been given the chance to have a going-away party, but the welcome-back party is going to be the bomb.”

Although, Baisden will continue to be active through public appearances, his dismissal leaves an absence of the African-American presence on radio. Tom Joyner and Steve Harvey are the only African-American nationally syndicated shows on radio.

Roland Martin and Soledad O’Brien have also been dismissed as analysts and have had their roles redefined at CNN, respectively.

Martin announced his dismissal via Twitter on Tuesday. He announced that his last day at CNN would be April 6. Jeff Zucker, CNN’s new president, is responsible for the decision, citing a new direction for the network. Martin confirmed this via Twitter stating, “New boss wants his own peeps.”

Martin will continue to work as a columnist and analyst for TVOne.

O’Brien has not been fired from CNN, but rather she is taking on a new role in the news organization.

O’Brien, host of “Starting Point” a morning television show, is relinquishing her current position at the request of  Zucker. Her new role will be to host documentaries for CNN part-time, while also forming her own production company Starfish Media Group, which will create documentaries for CNN and other organizations…

 

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Alright TV announces lineup of new faith-friendly and family-oriented digital programming

– Issa Rae, Deion Sanders, AJ Johnson, DeRay Davis, and Cheryl Jackson Headline Original Productions –

Los Angeles, CA (BlackNews.com) — Robert L. Johnson, Founder and Chairman of The RLJ Companies and Tracey E. Edmonds, President and CEO of Alright TV, recently announced the new programming slate of upcoming family oriented and faith-friendly content developed for the channel created in collaboration with YouTube. Alright TV will launch on Easter Sunday, March 31st and will appeal to the aspirational and inspirational goals of consumers of all ages with buzz-worthy comedies, talk, reality, music, and online streaming of Sunday church services from around the country.

“I am very excited about the launch of Alright TV and the broad array of diversified producer-generated content that has been produced and made available through the channel,” said Johnson. “Tracey is an award-winning producer and I am confident that viewers will enjoy the new digital series that she and her team have developed featuring well known artists and personalities from the faith-based, reality, sports and entertainment industries. Alright TV’s content and collaboration with YouTube represents the spectrum of new and exciting opportunities for consumers and advertisers,” he concluded.

“Alright TV is a groundbreaking channel that will revolutionize faith friendly content viewing and will feature premiere talent along with rising stars,” said Edmonds. “There has been, and for some time, a lack of availability of faith-based, family friendly programming on television. Alright TV, in collaboration with YouTube’s global platform, fills this gap by making the genre available to everyone.” She continued, “We have incredible talent on board and are excited to present our viewers with new digital series that offer the best in feel-good, value based entertainment that will both inspire and motivate. I look forward to continuing to work with YouTube and our outstanding creative team of writers that have produced quality entertainment for the channel, ultimately creating a lineup of some of the best digital offerings that consumers will enjoy.”

Upcoming Alright TV premieres include:

* Issa Rae, the creative mind behind the ground-breaking Internet sensation Awkward Black Girl, brings us The Choir, a comedic series about the personal, spiritual and often controversial dynamics of a revered church choir.

* NFL Hall of Famer Deion Sanders debuts two new inspirational reality series. In Sports Dads, Sanders comes to the rescue to counsel families of sports-obsessed parents pushing their children too hard. He will also produce and star in Truth, an inspirational show that will uplift and motivate viewers to put a more positive outlook into practice.

* Take Action, produced by 1820 Productions features Cheryl “Action” Jackson transforming the lives of families in need. Facing hard hitting economic struggles that have impacted the lives of families from around the country, Jackson and her team bring hope and joy to families in need by blessing them with gifts that help with everyday family living.

* Written by Vanessa Middleton, former co-executive producer of The Cosby Show, Walk This Way is a comedy sketch series in which parishioners seek advice from their pastor for some of the most unusual problems. Series stars Michael Kenneth Williams (Boardwalk Empire, The Wire).

* Ms. Right and Mr. Right are two webisode series that explore dating from both the male and female perspectives. Ms. Right stars DeRay Davis of 21 Jump Street and Jumping the Broom and Mr. Right stars Kali Hawk of Couples Retreat and New Girl both on the search for love through a series of blind dates with the most undesirable candidates in hopes of finding their respective Mr. and Ms. Right.

* YouTube’s popular comedy trio, The Playmakers – Kevin Fredericks, Jason Fredericks, and Anthony Davis bring faith-friendly comedy with hilarious takes on some of the most recognizable church related topics.

* The No-Budget Gourmet, Bravo’s Top Chef alum and from the Food Network’s Private Chefs of Beverly Hills, Chef Brian Hill teaches America how to eat well and spend less on meals that will impress. Chef Brian is joined by special comedy guests each episode.

* Dr. James Meschino headlines Pure Health, an in-depth look at the natural ways to approach health and living.

* Dormtainment features You Tube’s super popular 6-man Atlanta comedy sketch troop who deliver laugh out loud webisodes on the trials and tribulations of college and young adult life.

* Celebrity lifestylist AJ Johnson shows viewers how to attain a better mind, body and soul in The AJ ZONE.

* Preach On, Teach On, an amateur blog series where rising inspirational speakers offer words of encouragement and inspiration that empowers.

* Vurch will live-stream weekly church services and sermons of pastors from around the country. With its innovative platform and national database of devotional and worship churches, Vurch features some of today’s foremost spiritual leaders such as Bishop T.D. Jakes, Reverend Michael Beckwith, Bishop Paul S. Morton, and Apostle Frederick K. C. Price.

* Powerful inspirational, theme-based messages will be featured with Message from the Masters, a collection of teachings from pastors of various ministries and well known inspirational speakers.

In addition to live-streaming weekly broadcasts of devotional and worship services, Alright TV will feature an array of powerful inspirational messages, gospel and Christian-themed musical videos on demand and ministries from well-known speakers and spiritual leaders.

About The RLJ Companies:

The RLJ Companies, founded by Robert L. Johnson, is an innovative business network that provides strategic investments in a diverse portfolio of companies. Within The RLJ Companies portfolio, Johnson owns or holds interests in businesses operating in a publicly traded hotel real estate investment trust; private equity; financial services; asset management; insurance services; automobile dealerships; sports and entertainment; and video lottery terminal (VLT) gaming. The RLJ Companies is headquartered in Bethesda, MD, with affiliate operations in Charlotte, NC; Little Rock, AR; Los Angeles, CA; San Juan, PR; and Monrovia, Liberia. Prior to founding The RLJ Companies, Johnson was founder and chairman of Black Entertainment Television (BET). For more information visit: www.rljcompanies.com.

About Our Stories Films, LLC:

Our Stories Films is the first African American owned film production studio that produces theatrical motion pictures that showcase the talents of African Americans on both sides of the camera and in the creative process. Founded in 2006, Our Stories Films is headquartered in Hollywood, CA, and targets underserved, urban audiences within the family and urban comedy genre with a production budget of $5M–$7M per film. In May 2011, Our Stories Films in collaboration with TriStar, a Sony Pictures Entertainment company, produced and released Jumping the Broom, which debuted as the number one comedy during the opening box office weekend.

For additional information please visit: www.ourstoriesfilms.com.

About Alright TV:

Alright TV is a groundbreaking digital channel that will revolutionize faith friendly content viewing. Featuring premiere talent along with rising stars, Alright TV offers the best in feel-good, value based entertainment which will inspire and motivate. Alright TV brings buzz-worthy comedies, talk, reality, music, and the streaming of national Sunday church services. Developed by Robert L. Johnson, founder and chairman of The RLJ Companies and Tracey E. Edmonds, President and COO of Our Stories Films, Alright TV is a digital collaboration with YouTube that includes an array of online productions and entertainment. For more about Alright TV visit: http://www.youtube.com/alrighttv or http://www.alrighttv.com.

 
 

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Find Our Missing returns, more unsolved African American disappearances

TV One will air the season two premiere of Find Our Missing, this Wednesday night. The award-winning show highlights the unsolved cases of missing African Americans.

Find Our Missing returns for a second season, ready to do more than merely present unsolved cases.

TV One touts the show’s award bestowed by the National Association of Black Journalists and its partnership with the Black & Missing Foundation, Inc.

“Find Our Missing will continue its partnership with the Black and Missing Foundation, Inc. (BAMFI) to raise further awareness and attention for the plight of the missing. TVOne.tv will use BAMFI’s alerts and latest updates about recent missing persons cases, as well as other content supplied by the organization including tips on how to prevent abductions.”

While controversial to some, TV One found an audience that loved the show enough to warrant its renewal for a second season.

“TV One saw unprecedented response to this series which resonated strongly with audiences and the media in terms of how the issue of missing Black Americans has been traditionally addressed,” said Toni Judkins, Executive Vice President Programming Production.

Traditionally addresses in the context of the show’s purpose means that popular national media have not focused on missing black children and adults to the same extent as coverage for their white counterparts.

Prior to its season one debut in 2012, the network’s top exec said it this way. “The local and regional press does a good job. The national press doesn’t really cover these stories to the extent that they should, and that’s a void that TV One will now fill.”

Hosted by well known and acclaimed actress S. Epatha Merkerson, of TV’s “Law & Order” fame, the show uses dramatized scenes and real footage to craft the back story to abductions both recent and those considered cold cases.

It is hoped that in a similar fashion to the long running “America’s Most Wanted”, hosted by John Walsh, the stories presented will rekindle memories or new clues that might lead to the end of sad stories for families who want to know what happened.

The season premiere presents the cases of two young people. Stevie Grey, 19 was attending college but seemed to have a change of heart.

She called her mother in April 2012 from a bus station in Pittsburgh, PA and said she wanted to return home to her family and friends in New York. She never made it.

In another heartbreaking story, an autistic teen, Kahil Grey walked out of a Chicago hospital into broad daylight and was never seen again. He was with his father in an elevator and as the doors opened, Kahil ran out, turned a corner through a door and disappeared.

Watch the TV One presentation of Find Our Missing’s season two premiere starting at 9:00 p.m. ET on Wednesday January 9. Check local cable listings for channel information. Image: Towers Productions/Find Our Missing

 

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Talking with Kids About News

Strategies for Talking and Listening

Girl: Who's Saddam Hussein? | Mom: What have you heard?

Through Your Child’s Eyes

“Children think about the news very differently from adults. News to kids is not just tragic events or disasters; instead they define it to include their entire lives. A child’s “news” could be a dead bird on the street, a cut finger, as well as a story about Hurricane Katrina.

“They also interpret the news in personal ways. For example, when young children watch or listen to news reports about crime, bombings, and hurricanes, they may worry about their own safety. Because young children are not able to fully understand cause and effect and distance, it’s hard for them to make distinctions between an immediate threat and one that is far away.”

Diane Levin, Ph.D.

Professor of Education, Wheelock College. Co-Author, The War Play Dilemma.

Talking about the news with kids happens in everyday moments. Children ask questions in the car on the way to school, in between pushes on the swings, and just when you’re trying to rush out the door. In one breath, they’ll ask about a range of topics — from the weather to the president to the latest war. And when difficult questions come up, parents wonder how to respond.

To help the conversation along, this article offers flexible suggestions for answering kids’ questions about the news. There is no script to follow but these strategies can help you tune in to what your child is thinking and feeling and talk it through together.

Start by finding out what your child knows. When a news topic comes up, ask an open-ended question to find out what she knows like “What have you heard about it?” This encourages your child to let you know what she is thinking.

Ask a follow up question. Depending on your child’s comments, ask another question to get him thinking, such as “Why do you think that happened?” or “What do you think people should do to help?”

Explain simply. Give children the information they need to know in a way that makes sense to them. At times, a few sentences are enough. “A good analogy is how you might talk about sex,” adds Nancy Carlsson-Paige, Ed. D. “You obviously wouldn’t explain everything to a 5-year-old. Talking about violence and safety is similar.”

Listen and acknowledge. If a child talks about a news event (like a local robbery or kidnapping) and is worried,recognize her feeling and comfort her. You might say “I can see you’re worried, but you are safe here. Remember how we always lock our doors.” This acknowledges your child’s feelings, helps her feel secure, and encourages her to tell you more.

Offer reassurance. When a child is exposed to disturbing news, she may worry about her safety. To help her calm down, offer specific examples that relate to her environment like, “That hurricane happened far away but we’ve never had a hurricane where we live.” Actions speak louder than words — so show your child how you lock the door if she gets scared by a news report about robbers, point out the gutters and storm drains if a hurricane story causes fear, and explain what the security guards do at the airport after a story about terrorists.

Tailor your answer to your child’s age. The amount of information children need changes age by age. “A kindergartner may feel reassured simply knowing a hurricane is thousands of miles away. An older child may want to know how hurricanes could affect the place where he lives and may want to know what is being done to help those in need. Both ages will be reassured by doing something to help,” notes Jane Katch, M.S.T., author of Under Deadman’s Skin: Discovering the Meaning of Children’s Violent Play.

 

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Television Viewing – Making Smart Choices for Your Child

by Sharon Rechter

The issue of children and television viewing has been debated for many years, including whether they should be allowed to watch at all.  As the mother of two young girls myself, I understand the challenge of determining at what age they can be first exposed to TV, as well as what types of programming can provide the most benefit to them.

While some may regard television simply as an electronic babysitter, I think it’s important to understand that as with many other activities, television can actually be used as an important tool to enhance the development of our kids.  It starts with parents doing research on what is available, and seeking out the kinds of shows that are designed by developmental experts.

According to the Kaiser Family Foundation, 95% of American babies watch television, so from my practical perspective, the question isn’t “should children watch TV,” but rather, “what are they watching, how much and under what conditions?”  Content is absolutely key.  If it’s appropriate, educational and non-violent, children can learn and have a very positive experience.

It’s also important to vary the types of programs your kids watch.  The younger the child (especially babies), the greater will be their natural tendency to gravitate toward their favorites.  Be sure to continually refresh the content you select, offering your child exposure to new and exciting things.  In the long-term, this will help keep their interest, while nurturing their development.

Of course, just because a TV show is educational, it is essential that limits be set on the amount of time that children are allowed to watch.  As with all aspects of parenting, a healthy balance should be maintained, with plenty of time allocated for reading, creative play and spending time outdoors.

Ideally, parents should watch television together with their children.  Not only does this foster bonding, it also allows you to become an interactive part of the viewing experience.  Concepts that are introduced during viewing can be reinforced and built upon by moms and dads.  An easy way to do this is by exercising their memory skills after a program has concluded.  Ask your child about what they saw and heard, such as the names of favorite characters, noises the animals made and songs they enjoyed the most.

Moreover, watching together provides an excellent opportunity for emotional bonding.  Providing immediate positive reinforcement to a child, especially when they may be too young to communicate verbally, can be critically important to their emotional growth.

Ultimately, each child and family’s experience with television will be different.  In my own experience, I’ve found that my daughters have learned a great deal from age-appropriate educational TV.  They even learned sign language!

The company I co-founded, BabyFirst, decided to produce a television series called, I Can Sign, that helps parents communicate with their very young children before they’re able to speak.  I found it to be an amazing way to interact and connect with my girls, and it really fostered a bond with them long before they had learned to talk.  That was a few years ago, but we still use it as a “secret language” between us.

There is constant debate as to the “right way” to raise a child, and most parents ask a lot of questions and experiment quite a bit before they find what works best.  Because television viewing is a reality in today’s homes, parents can take advantage of it as very versatile tool that can introduce their children to a wide variety of new ideas, while helping to reinforce early education.

About Sharon Rechter

Co-Founder, BabyFirst

Sharon Rechter, along with business partner, Guy Oranim, conceptualized and co-founded BabyFirst (www.babyfirsttv.com), which is a global TV channel for tots. In her role as executive vice president, she leads the business development and marketing activities for the company – with a clear passion to bring quality, new educational programming to families of babies and toddlers.

Rechter has a broad background in television programming and recently served as the vice president and head of operations for The Israeli Network (the Israeli television channel in the U.S.). She was responsible for the general management of the network, and focused on areas including business development, advertising and subscriptions. Before entering the television broadcast industry, Rechter headed the strategic planning department at GNS Advertising in Israel where she was responsible for developing strategic plans for a variety of lifestyle brands.

 

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T.J. Holmes’ ‘Don’t Sleep’ cuts back on airings; BET exec says viewers ‘don’t show up’

RTWT LATE NIGHT THOUGHTS ON THIS

New York City, NY -  Host T.J. Holmes attends the premiere of ‘Don’t Sleep’ at BET Studios on October 1, 2012 in New York City. (Photo by Andrew H. Walker/Getty Images)

by Similoluwa Ojurongb, theGrio

When T.J. Holmes left CNN to host his own show on BET, Don’t Sleep, some called it a risky move, while the network’s viewers seemed to be excited.

Holmes saw it as an opportunity to “reach out and report on stories that directly affect the African-American community.”

Unfortunately, the viewership has not lived up to hype.

Holmes’ show combines comedy, news and commentary not unlike The Colbert Report and The Daily Show with Jon Stewart.

Don’t Sleep airs in the 11 pm time-slot and drew 400,000 viewers on to its October 1 premiere.

The October 9th episode drew 1 million viewers, but since then, it has slipped to as low as 203,000.

“To be honest, the ratings haven’t been great in the past two weeks. Our audience always says they want this kind of programming, but they don’t show up,” said Debra Lee, BET’s CEO.

As a result, Don’t Sleep will now be on for one hour once a week, instead of every night.

BET released a statement saying, “The viewers have spoken and due to the overwhelming demand, Don’t Sleep will now be expanded to a one hour weekly format allowing for a more comprehensive discussion of the issues and events affecting the African-American community,”

“We will now have an hour-long format to educate, empower, and engage.  This will allow us more time to delve deeper into topics and determine how we can all, in our own way, be agents of change,” Holmes wrote on his website. “As part of being extended to an hour, the show will move to Wednesday nights at 11 p.m.  This will allow us to do on-location reporting from cities and communities across the country.”

 
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Posted by on November 15, 2012 in African American Television

 

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“Save My Son,” Powerful New Series Hosted by Education Activist and Author Dr. Steve Perry, to Premiere on TV One Wednesday, September 26 at 9PM ET

The eight-episode, one-hour series is produced by Powerhouse Productions.

 

- Dr. Perry works with families and celebrity mentors to help rescue young sons from a life of bad influences and wrong choices, celebrity mentors include: Steve Harvey, Ruben Studdard, Derek Anderson, Jalen Rose and Pooch Hall -

Silver Spring, MD – July 10, 2012- Beginning Wednesday, September 26 at 9 PM ET, TV One will introduce Save My Son, a powerful new documentary series, that will delve into the gripping tales of families struggling to save their sons who have fallen victim to bad influences and wrong choices.

Hosted by renowned educator Dr. Steve Perry, Save My Son is intended to shed light on an all too familiar story within the African American community across a broad spectrum of socio-economic backgrounds. Dr. Perry will venture into these young men’s communities and give viewers a real, unfiltered look into their daily lives and struggles. Each episode will tell the story of a different young man and the dangerous activities and/or behaviors that threaten to derail a promising young life, from drug use to gang involvement to truancy to robbery. Along with Dr. Perry, in each episode a celebrity mentor will offer inspiration, support and insight into what choosing a different path can mean, and help these young men fight their darkest demons. Each episode also features an intervention with Dr. Perry and loved ones of the troubled youth. They work together to design the best possible plan of action to get the young man in crisis back on track. Celebrity mentors include radio personality, comedian, actor, and author Steve Harvey; former NBA players Jalen Rose and Derek Anderson; American Idol winner and R&B artist, Ruben Studdard and actor Pooch Hall. Also making a guest appearance is, author, inspirational speaker and television personality Iyanla Vanzant, among others.

“We have hit rock bottom. Our sons are dying of every disease, suffering from every academic, social and emotional trauma at rates that have never been recorded,” says Dr. Perry.”The only thing left to do is to fight like hell to save our sons.”

Dr. Perry is on a mission to reform black communities and save as many young men as possible. As founder and principle of Capital Preparatory Magnet School in Hartford, CT, Dr. Perry is no stranger to the hardships young black men face growing up. Capital Preparatory Magnet School is designed to send children to college, and since its inception, 100 percent of its students have gone on to four year colleges. Dr. Perry is also author of bestselling books Man Up! and Push has Come to Shove, CNN education contributor, a columnist for Essence magazine, and a highly sought after speaker for colleges and education forums around the country.

“This groundbreaking series will chronicle a topic that is rarely explored in today’s media.” said TV One Executive Vice President of Original Programming and Production Toni Judkins. “There is an epidemic of young black men in danger of leading a life estranged from their families and with heightened chances of becoming another statistic in the criminal justice system. In working with Dr. Perry on this series, we hope we can draw attention to this critical issue and help rescue young men from a life-threatening downward spiral and help put their lives back on track.”Save My Son is an eight-episode, one-hour series produced for TV One by Powerhouse Productions. Executive Producers for Powerhouse are Rochelle Brown and Sonia Armstead. Executive Producer for TV One is Toni Judkins. Executive in Charge of Production at TV One is Robyn Greene Arrington.

About TV One

Launched in January 2004, TV One (www.tvoneonline.com) serves more than 57.3 million households, offering a broad range of real-life and entertainment-focused original programming, classic series, movies, and music designed to entertain, inform and inspire a diverse audience of adult African American viewers. In December 2008, the company launched TV One High Def, which now serves more than 10.3 million households. TV One is a joint venture owned by Radio One [NASDAQ: ROIA and ROIAK; http://www.radio-one.com, the largest radio company that primarily targets African American and urban listeners; and Comcast Corporation [NASDAQ: CMCSA, CMCSK); http://www.comcast.com, one of the nation’s leading providers of entertainment, information and communications products and services.

 
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Posted by on September 26, 2012 in African American Television

 

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Bounce TV Celebrates First Birthday; Nation’s First-Ever Broadcast Television Network for African Americans Founded By Martin Luther King III, Ambassador Andrew Young

The nation’s first-ever broadcast television network designed for African-American audiences — will turn one on Sept. 26 and its first year on-the-air has been overwhelmingly successful, with accelerated growth and expansion among station groups and distribution, advertisers and viewers alike.

In just 12 months on the air, Bounce TV:

Is already seen in 80% of African American homes, 17 of the top 20 African American markets and over 60% of U.S. television households.

Can be seen in New York, Los Angeles, Chicago, Atlanta, Washington, D.C., Dallas, Philadelphia, Houston, Cleveland/Akron, Baltimore, Milwaukee, Charlotte, Cincinnati, Indianapolis, New Orleans, Kansas City, Hartford/New Haven, Norfolk, Dayton, West Palm Beach, Birmingham, Memphis, Louisville, among other markets. Bounce TV will arrive in Detroit, Phoenix, Minneapolis and Orlando within the next 10 days (See below).

Acquired hundreds of motion picture rights from most major studios, including: The Walt Disney Studios; Paramount Pictures; Miramax; MGM Domestic Television Distribution; NBCUniversal Domestic Television Distribution; Sony Pictures Television; Warner Bros. and Lionsgate.

Produced three original series; carried live sporting events; celebrated Black History Month with a line-up of powerful documentaries; aired special memorial tributes to African American entertainment figures Whitney Houston, Donna Summer and Don Cornelius and more.

Has agreements with most major television station groups and advertisers have embraced the network.

“I am very proud of our network and the amazing growth it has enjoyed. Bounce TV’s rapid expansion validates the need for free programming for our under-served community,” said Martin Luther King III, a member of Bounce TV’s Board of Directors.

In celebrating its flourishing first year on the air, Bounce TV today announced:

Its first motion picture licensing agreement with Lionsgate®, a leading diversified global entertainment company, that will bring a package of African American-skewing Lionsgate movies to the network. Among the titles: Halle Berry’s Academy Award ®-winning performance in the highly-acclaimed Monster’s Ball; Cuba Gooding, Jr. in Boat Trip and Murder of Crows; the inspirational story Pride starring Terrence Howard and Bernie Mac and more.

A sports rights renewal agreement to televise both football and basketball games from the nation’s largest African American athletic conference, the Central Intercollegiate Athletic Association (CIAA.)

WXYZ-TV, one of the leading ABC affiliates in the country and Detroit’s #1 rated television station, will launch Bounce TV on Weds. Sept. 26, the network’s official first birthday.

Bounce TV will be launched on FOX-owned MyNetworkTV sub channels in Phoenix, Minneapolis and Orlando by October 2012.

The network is in the final stages of discussions with Nielsen and anticipates having national Nielsen ratings in the fourth quarter of this year.

Toyota and Nissan have renewed sponsorship agreements while General Motors and Chrysler will become sponsors for year two.

Bounce TV targets African Americans primarily between the ages of 25-54 with a programming mix of theatrical motion pictures, live sports, documentaries, specials, inspirational faith-based programs, off-net series and now original series. Bounce TV airs twenty four hours a day, seven days a week on the digital signals of local television stations. Martin Luther King III and Ambassador Andrew Young are among the Founding Group and Board of Directors of Bounce TV. Bounce TV is majority African American-owned. Toyota USA is the signature sponsor of the network.

Bounce TV targets African Americans primarily between the ages of 25-54 with a programming mix of theatrical motion pictures, live sports, documentaries, specials, inspirational faith-based programs, off-net series and now original series. Live sports and events are part of the Bounce TV schedule, including both football and basketball games from the nation’s largest African American athletic conference, the Central Intercollegiate Athletic Association (CIAA.)

 
 

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Invisible Men: Why It Matters That There Are No Black Male Couples on TV

Some of America’s favorite couples are gay men in relationships: Cam and Mitchell on Modern Familyand Kurt and Blaine on Glee. And this TV season brings more that the networks hope you’ll love: Brian and David on the heavily advertised The New Normal, and Louis and Wyatt on Partners. But something is missing: there are no African-American gay male couples at all on mainstream TV. Gay couples on TV allow gay men to see themselves reflected in the larger culture, and normalize them to others. Where are the role models for African American gay male couples on TV?

In five separate studies, Professor Edward Schiappa and his University of Minnesota colleagues have found that the presence of gay characters on television programs decreases prejudices among viewers, providing a forum for the general public to observe and interact with the lives of gay men. Exposure to these images normalizes gay couples, so much so that Ann Romney reports being a fan of Modern Family (although apparently not a fan of gay marriage).

A media revolution in the portrayal of gay men and women has occurred over the past 15 years. We have evolved from a time when being gay was unmentionable on TV, to the inclusion of gay characters as stock comic stereotypes, and are now seeing gay males and females as central characters in TV programming. For a long time they could be gay; they just couldn’t show daily tribulations and mainstream issues of same -ex couples. Now they can, but apparently they can’t be a black gay couple (though I’m focusing on men, the small screen isn’t exactly packed with African-American lesbians either).

True, cable channels have featured gay African-American males in and out of stable relationships. The unforgettable and violent Omar Little on HBO’s The Wire was gay in an extremely homophobic milieu but he wasn’t celibate: he had three partners over the series’ run. Logo’s Noah’s Arc gave us the lives and loves of four gay black men and included a married couple. But these shows were featured on channels that are not accessible to a large proportion of the population, and in the case of Logo, catered to a largely gay audience that doesn’t need persuading of the existence of same sex couples of color. These characters would never have seen the light of day if planned for the coveted Thursday night slot on NBC.

According to the CDC, between 2006 and 2009, HIV infection among African-American men who have sex with men between 13-29 years old increased by 48 %. The reasons for this dramatic increase are not easy to parse out but certainly the double whammy of racism within the gay community and homophobia within the African-American community play a part. The secrecy and shame around homosexuality contributes to invisibility. An invisible man believes that he has no need for health care or safer sex, or doesn’t imagine he can form forming a healthy relationship .What if these young men saw images of guys like them — or older — living and loving safely and productively? As we have seen, over time, that could be a key part of inspiring different behavior and eliminating bias. Seeing oneself reflected in the larger culture is a crucial part of self-acceptance as well as acceptance by others.

I’m not suggesting that giving Mitchell and Cam an African-American gay male couple as neighbors will end AIDS. But just as The Mary Tyler Moore Show helped make the world more comfortable for single, urban women, and The Cosby Show introduced us to an upper middle class African-American family, showing black gay male couples on TV will change minds — and over time, it could help save lives.

This op-ed was written in association with The OpEd Project

 

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Disney Finds a Cure for the Common Stereotype With ‘Doc McStuffins’

Disney Junior

In “Doc McStuffins,” a new Disney cartoon for preschoolers, the focus is a black girl who wants to be a doctor like her mother. Her first patients are dolls and stuffed animals.

By 

LOS ANGELES — For decades many African-Americans have voiced conflicted feelings about Disney.

Ann Johansson for The New York Times

Chris Nee, right, creator of “Doc McStuffins,” with her partner, Lisa Udelson, and their son, Theo Udelson-Nee. Ms. Nee credits Disney with making the main character African-American.

Ann Johansson for The New York Times

“Doc McStuffins” toys are potential moneymakers.

Many fault this entertainment colossus for being slow to introduce a black princess as a peer to Cinderella and Snow White. (There is one now: Tiana, from “The Princess and the Frog.”) The racial stereotyping in early animated movies like “Dumbo” lives on through DVD rereleases. African-Americans can also bring up “Song of the South,” a 1946 film that Disney has labored to keep hidden because of its idyllic depiction of slavery.

Disney has worked overtime in recent years to leave that past behind, and a surprising groundswell of support from black viewers for a new TV cartoon called “Doc McStuffins” is the latest indication that its efforts may be paying off.

Aimed at preschoolers, “Doc McStuffins” centers on its title character, a 6-year-old African-American girl. Her mother is a doctor (Dad stays home and tends the garden), and the girl emulates her by opening a clinic for dolls and stuffed animals. “I haven’t lost a toy yet,” she says sweetly to a sick dinosaur in one episode.

The series, which made its debut in March on the Disney Channel and a new cable network called Disney Junior, is a ratings hit, attracting an average of 918,000 children age 2 to 5, according to Nielsen data. But “Doc McStuffins” also seems to have struck a cultural nerve, generating loud applause on parent blogs, Facebook and even in academia for its positive vocational message for African-American girls.

“It truly warmed my heart and almost brought tears to my eyes when my 8-year-old, Mikaela, saw ‘Doc McStuffins’ for the first time and said, ‘Wow, mommy — she’s brown,’ ” Kia Morgan Smith, an Atlanta mother of five, wrote on her blog Cincomom.com. Myiesha Taylor, a Dallas doctor who blogs at CoilyEmbrace.com, took her praise a step further, writing, “This program featuring a little African-American girl and her family is crucial to changing the future of this nation.”

Dr. Taylor, who noticed “Doc McStuffins” while watching TV with her 4-year-old daughter, Hana, was moved enough to collect pictures of 131 doctors — all black, all women — and publish a collage online under the heading, “We Are Doc McStuffins.” She also started a related Facebook group that now has 2,250 members.

“For Disney to make a cartoon that stars a little brown girl as an aspiring intellectual professional, that’s coming a long way,” Dr. Taylor said in an interview.

Mark Anthony Neal, a professor who teaches black popular culture at Duke University, noted that Disney has sharply increased its emphasis on multicultural characters in recent years, pointing to a cartoon series called “The Proud Family” and “The Princess and the Frog,” released in 2009. But even he is impressed with “Doc McStuffins.”

“My youngest daughter, who is 9 and still has an affinity for stuffed animals, loves the show,” Mr. Neal said. “Part of the appeal for her is seeing herself represented in this space of fantasy.”

Despite a surge in multicultural cartoons, like Nickelodeon’s “Ni Hao, Kai-Lan,” designed to introduce Mandarin vocabulary words to preschoolers, and 40 years after Bill Cosby’s “Fat Albert,” black cartoon characters in leading roles are still rare. It’s considered an on-screen risk to make your main character a member of a minority, even in this post-“Dora the Explorer” age. Networks want to attract the broadest possible audience, but the real peril is in the toy aisle. From a business perspective, Disney and its rivals ultimately make most of these shows in the hope that they spawn mass-appeal toy lines. White dolls are the proven formula.

Encouraged by the reaction to multicultural casting in its live-action shows (“A.N.T. Farm”), Disney figured it was a risk worth taking. The company also spotted a hole in the market. The last major preschool cartoon to have a black focus was Mr. Cosby’s “Little Bill,” which ended five years ago on Nickelodeon. Race may have factored into Disney’s thinking in other ways. “Doc McStuffins” is mostly designed to entertain, a minus for parents of preschoolers, who typically want educational components (like the way Dora teaches Spanish and problem solving). A positive message about racial diversity helps fix that problem, as do messages about health and hygiene.

Chris Nee, who created “Doc McStuffins,” said, “Disney, to its complete credit, looked at my pitch and suggested that we make the characters African-American.” Her original Doc McStuffins was a little white girl.

Gary Marsh, the president and chief creative officer of Disney Channels Worldwide, said “Doc McStuffins” reflects a type of hypersensitivity to the power of television on young viewers. “What we put on TV can change how kids see the world, and that is a responsibility that I take very seriously,” he said. “By showcasing different role models and different kinds of families we can positively influence sociological dynamics for the next 20 years.”

Disney executives often bristle when people (read: reporters) dredge up examples of racial insensitivity from the distant past. They maintain that the company has more than proved itself over the years, pointing to It’s a Small World, the musical theme park ride celebrating multiculturalism, or “The Lion King” on Broadway, which features a predominantly black cast.

But race remains a perennial hot button for the company. In June, for instance, Shonda Rhimes, the creator of “Grey’s Anatomy,” publicly assailed a program on the cable network ABC Family (owned by Disney) for its lack of diversity. “You couldn’t cast even ONE young dancer of color so I could feel good about my kid watching this show? NOT ONE?” Ms. Rhimes, who is black, said on Twitter about “Bunheads,” a series about ballerinas.

When it comes to “Doc McStuffins,” Ms. Nee, whose résumé, curiously enough, includes producing Discovery Channel’s “Deadliest Catch,” just wanted to make a show that was enjoyable and that could help her 5-year-old son, Theo, feel better about his asthma. “I wanted to help him understand that doctors aren’t scary,” Ms. Nee said.

In a nod to Disney’s “Toy Story” movies Ms. Nee gave added some sidekicks that come alive when nobody else is around. There is a hippo named Hallie (voiced by Loretta Devine) and a hypochondriac snowman named Chilly. “ ‘Cheers’ for preschoolers” is one way Ms. Nee describes the show’s mix of personalities.

African-Americans are represented among the show’s writers and animators, according to a spokeswoman, adding that voice actors are ethnic matches to their roles, except for one instance in which an African-American plays a white character.

Disney Junior, which is distributed in about 55 million homes and competes against channels like Nick Jr. and Sprout, recently announced that “Doc McStuffins” would return for a second season. Its ratings have drooped a bit from their strong start, but the series has attracted a surprisingly large following among boys — and related merchandise is already selling briskly.

 

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NBC Hires African American Woman as New Drama VP

Pearlena Igbokwe has been hired by the network as their new head of drama development.

 

Showtime Channel veteran Pearlena Igbokwe has been hired as the new head of drama development at NBC, according toVariety.com.

The move makes her the first African American woman to reportedly hold that position in network’s history.

The hire also comes 24 hours after Laura Lancaster, who held the post since 2009, stepped down from the position. She will stay with the company in a consultant role.

“Pearlena has forged an impressive track record over her successful career that has earned her the admiration of the creative community,” said NBC Entertainment president Jennifer Salke to Variety. “She will bring a unique perspective to development that will help us reach our goal of once again making NBC the home of some of the best and most respected dramas on television.”

Igbokwe will now oversee all drama development as executive VP of drama at the company.

She left Showtime earlier this year after spending 20 years there. She was responsible for virtually every series that appeared on the network, including their standout show “Dexter.

 

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Cosby star: New show about ‘positive black family’

 

Actress Tempestt Bledsoe says she’s thrilled to be returning to network television on a show that portrays “a positive black family” similar to the long-running hit sitcom she was part of for roughly eight years — “The Cosby Show.”

“That show was my childhood,” said Bledsoe, who played middle child Vanessa Huxtable in the NBC show that also starred Bill Cosby, Phylicia Rashad, Malcolm-Jamal Warner, Lisa Bonet and Keshia Knight Pulliam. “It did so many things. It greatly influenced the kinds of projects I did. It helped form my core values, like my work ethic.”

Bledsoe and actor Anthony Anderson spoke Friday at the Essence Music Festival about the new show they’re starring in, “Guys with Kids,” which premieres this fall on NBC.

In an interview after their appearance, the co-stars told The Associated Press they were thrilled the show will spotlight a “positive black family on network television.”

“We just don’t have that right now, not on network television,” said Anderson, who has two children of his own. “Like the Cosby Show, this will be an opportunity to see the love, support, humor and beauty of a black family on TV.”

The show, produced by Jimmy Fallon, is about three 30-something new dads trying to hold on to their youth. “Guys With Kids” will also star Jamie-Lynn Sigler of “The Sopranos” and actors Zach Cregger and Jesse Bradford. One of the characters is a single dad, another is a working father and Anderson’s character is a stay-at-home dad raising four young sons.

Bledsoe, who plays Anderson’s working wife, chuckled as she spoke about his character’s daily challenges wrangling the children, including twins under the age of 2.

“There’s nothing funnier,” Bledsoe said. “This role was tailor-made for Anthony.”

Anderson said he was drawn to the role for several reasons, including his strong feelings about the importance of having a father figure and that his character “chooses” to stay at home with his children rather than being forced to do so because he lost his job.

He said he also recognized that in these tough economic times, more dads are choosing to stay home in part because of child care costs.
“A lot of them get funny looks because it’s not what people are used to seeing, and this show reflects this new dynamic in the American family,” he said.

Other celebrities appearing at the festival included actor Russell Hornsby, who played on “Lincoln Heights” and currently stars in the NBC supernatural drama “Grimm”; Bern Nadette Stanis, who played Thelma on the hit 1970s show “Good Times”; comedian and “Think Like a Man” author Steve Harvey; and Malik Yoba, who stars on the SyFy network’s drama “Alphas.”

On Saturday, Essence planned to screen Viola Davis’ newest film, “Won’t Back Down.” The movie also stars Marianne Jean-Baptiste, who is known for her role in “Without a Trace.”

Later Friday, singer and “Desperate Housewives” actress Vanessa Williams participated in a discussion with her mother, Helen, about relationships. The pair recently released a book, “You Have No Idea,” which gives fans insight into the actress’ upbringing and touches on her life as Miss America, her marriages and subsequent divorces, her entertainment career and motherhood.

“If anyone can glean anything from my life, I’m willing to share,” Williams said. “At this stage of my life, I believe my role is that of teacher. This book is my manual. It’s a love story about mothers and daughters and relationships.”

Although Williams was not scheduled to sing at Essence, Friday’s lineup for its nightly concerts at the Superdome include performances by Charlie Wilson, D’Angelo, Trey Songz, Keyshia Cole and The Pointer Sisters.

Wilson said he was excited about his elevation to the night’s closing performance. In previous years, he was among the main stage acts, but had never closed a show.

“This is amazing, the best feeling for me,” Wilson said. “I’m headlining. All the others times were great, but this one, my fifth, is special. Every year I come back and get such an overwhelming response it just fuels me and gives me energy. I perform as if it’s my last, as if I don’t have a tomorrow and I know the fans feel that,” he said.

Essence Fest is one of the premier music festivals celebrating black culture and music. It’s been held every Independence Day weekend since 1995, when it marked the 25th anniversary of Essence magazine. The festival continues through Sunday and also will feature Mary J. Blige, Kevin Hart, Tank, Ledisi, Aretha Franklin, Fantasia, Estelle and others. (AP)

 

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Aspire: Magic Johnson’s channel for black families

By FRAZIER MOORE AP Television Writer

photo released by Starpix shows former NBA… ((AP Photo/Starpix, Amanda Schwab))

NEW YORK—As the crowd counted down, Magic Johnson pulled a large silver lever jutting from a box labeled “ASPiRE.” With that, his new cable network went live.Then stagehands whisked the contraption off the dais at Aspire’s gala premiere party Wednesday night. The switch was just a prop, of course, connected to nothing.

But Magic Johnson’s ties to the African-American community (not to mention sports history and contemporary culture) are direct and strong.

Now, the basketball great and business tycoon is leveraging his clout and good name to launch Aspire.

“We have a big platform for African-American work,” Johnson told the gathered. “Family driven content, positive images of African-Americans—that’s

This June 27, 2012 photo released by Starpix shows the Rev. Al Sharpton during the launch of the Aspire Television Network in New York. Aspire, which signed on during the ceremony, is led by Earvin “Magic” Johnson in partnership with family-oriented channel GMC TV, and will dedicate itself to enlightening and positive programming aimed at black families. It will air movies, documentaries, music and comedy, as well as faith and inspirational programs. ((AP Photo/Starpix, Amanda Schwab))

what we want that platform for!”Big aspirations, indeed, as Aspire makes its debut. Initially it’s available in about 7 million homes and in 16 of the top 25 African-American markets (including New York, Atlanta, Chicago and Washington). It can be seen by some customers served by Time Warner Cable Inc. and by Comcast Corp., the nation’s largest cable operator, which is introducing the minority-oriented Aspire as part of an agreement struck with the Federal Communications Commission when Comcast purchased NBC Universal.

Aspire’s reach will grow to 12 million homes by year’s end, to 20 million to 30 million homes by the end of 2013, and to 40 million homes within two years, according to Johnson.

“Focus groups told us

African-Americans want more family content on TV,” he says a few hours before the party. “If they would have told me, ‘We don’t need another channel, there’s not an opportunity for you,’ we wouldn’t be sitting here.”Seated in a raised director’s chair whose exaggerated height seems made-to-order for the towering former L.A. Lakers point guard, Johnson is speaking with a reporter in an NBC green room during a busy day of meetings and media appearances.

“I wouldn’t get into this if I didn’t feel there was an opportunity,” he goes on. “That’s what I do. I look for opportunities.”

Johnson doesn’t dismiss the growing roster of other networks targeting black viewers.

“BET dominates the young people and does a great job,” he says. “TV One skews a little older. We’re gonna skew older than both of them. Blacks want options; they want variety, like everybody else. There’ll be enough viewers for all of us. So everybody wins.”

He says Aspire is aiming for black families with a slate of enlightening and positive programming—the sort of fare that everyone can gather in the living room to watch, “the way I grew up,” Johnson fondly recalls.

Aspire will air movies, documentaries, music and comedy, as well as faith and inspirational programs.

Initially, the schedule consists of acquisitions, including long-ago series like “The Bill Cosby Show,” “I Spy,” “Julia” and “The Flip Wilson Show.” The network promises documentaries chronicling real-life events, people and places that shaped black history. Movies include “Shaft,” “Bird,” “Sarafina!” and “Lilies of the Field.”

Eventually, Aspire plans to create its own programming. For that, Johnson hopes to tap black artists ranging from young up-and-comers to the likes of Spike Lee and Tyler Perry.

But what about a certain world-class star already on the payroll? Will Earvin “Magic” Johnson step in front of the Aspire cameras?

“I may do a show interviewing celebrities,” he says. “Or a business show. We haven’t planned it yet, but African-Americans want to know how to build wealth. They want to know how to start a business or grow one. Home ownership. Having good credit. I think I’m going to have to go on and teach them that sort of thing.”

The principal owner of Aspire is Magic Johnson Enterprises, with the 52-year-old Johnson as the network’s chairman and CEO.

But Aspire is teamed with Atlanta-based GMC (formerly the Gospel Music Network), which, available in about 50 million homes, focuses on uplifting music and family entertainment. GMC is providing operational infrastructure (what Johnson dubs “the back of the house”) for Aspire, also based in Atlanta.

Johnson declines to say exactly what he’s investing in Aspire as its principal owner, but acknowledges “it takes $100 (million) or $150 million just to turn the lights on and really get it going—and we’re gonna be in that neighborhood.”

Already, Johnson has landed five blue chip “charter brand partners”: Coca-Cola Co., Chrysler, Wal-Mart Stores Inc., L’Oreal and Nationwide Insurance. He says his network is on track to be “almost break-even in a year.”

Johnson sees Aspire as the logical next step in his burgeoning media empire, whose holdings include 20 radio stations, Vibe magazine and the “Soul Train” brand.

But an almost dizzying array of other investments includes real estate, restaurants, a prepaid debit card he soon will introduce and, of course, the Los Angeles Dodgers, purchased in May for $2 billion by a group he fronted.

“I am SO proud of the Dodgers,” he grins when that subject comes up. “I’m like a little kid! To know I own the Dodgers is even blowing ME away!”

In short, Johnson’s career as an NBA legend and Hall of Famer is rivaled by his entrepreneurial efforts, which, along with his philanthropic and motivational work, largely cater to the black community.

“I’ve been doing business almost as long as I’ve been playing basketball,” he says. “I bought a radio station when I was 19 years old, when I first got drafted by the Lakers.”

For now, despite his many business interests, he’s giving Aspire top priority.

“When you’re starting a business, you have to be more involved day-to-day,” he says. “I’m a control freak. Even though I allow people to do their jobs, I want to know everything, and I HAVE to know everything: It’s my brand, my name; everything is out there on the line.”

Looking to Aspire’s future, he points out how he always had two big dreams: to play in the NBA and be a businessman.

“I don’t know why God blessed me with this life, but I’m glad he did, and I love it,” Johnson sums up. “And I’m full steam ahead!”

———

Online:

Aspire: http://www.aspire.tv

Magic Johnson: http://magicjohnson.com

GMC TV: http://www.watchGMCtv.com

———

 

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Black doctors see hope in TV’s ‘Doc McStuffins’

|Lynn Elber, AP Television Writer

A pig-tailed girl whose favorite accessory is a pink stethoscope has become a symbol of pride and hope for black women in medicine and the daughters they want to inspire.

Doc McStuffins, the African-American title character of an animated TV series for children, dreams of becoming an M.D. and, for now, runs a cheerful home clinic for stuffed animals and dolls.

“I haven’t lost a toy yet!’’ Doc exclaims as she hugs a blue dinosaur in need of attention.

For Dr. Myiesha Taylor, who watches Disney Channel’s “Doc McStuffins’’ with her 4-year-old, Hana, the show sends a much-needed message to minority girls about how big their ambitions can be.

“It’s so nice to see this child of color in a starring role, not just in the supporting cast. It’s all about her,’’ Taylor said. “And she’s an aspiring intellectual professional, not a singer or dancer or athlete.’’

So Taylor sent a message back, creating an online collage featuring an image of the buoyant Doc encircled by photos of 131 black women who are Doc’s real life-counterparts, most garbed in their scrubs or doctor’s coats.

“We are trailblazers,’’ Taylor proclaimed on her website. “We are women of color. We are physicians. We ARE role-models. We are Doc McStuffins all grown up!’’

For black women whose own wish to practice medicine came true, the show is welcome affirmation. The doctors shown in the collage are graduates of schools including Harvard, Yale and Stanford and work in a range of specialties such as neurosurgery, orthopedic surgery and psychiatry. Taylor is a board-certified emergency room physician.

According to the American Medical Association’s “Physician Characteristics and Distribution in the U.S., 2012 Edition,’’ there were 18,533 black female physicians in 2010, or less than 2 percent of a total of 985,375 U.S. doctors, including nearly 300,000 female physicians. According to the 2010 U.S. Census, blacks make up 12.3 percent of the population at about 40 million, with more than half of them women.

“When we made her an African-American girl, we hoped it would be a positive role model that wasn’t really out there and would be great for little girls,’’ said series creator Chris Nee, who said she was encouraged by Disney from the start to create Doc as a minority character. “What has been surprising is the strength of the reaction and that it’s from adults.’’

She hopes the series resonates with all the girls who watch it, she added, citing worrisome studies that females start to develop negative attitudes about science at a young age.

 

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